Gregorio Rocha

Based on historical and sociological studies, this film reconstructs and illustrates, through documentary and fiction techniques, the story of an Acme model film projector used by Mexican-American businessman and filmmaker Edmundo Padilla during his forays along the northern border of Mexico. between 1920 and 1937, as well as those transhumant film exhibitors who worked in brothels.

In the eighties, different gangs arose in the suburban and marginal areas of Mexico City. This is a documentary about some of those gangs and the people who filmed them.

"Kara", in an attempt to extinguish the fire that burns him and to flee from drugs and his own frustration, sets out on a train journey. On his trip he nostalgically recalls all kinds of scenes with his gang the "Punk Shits" in Ciudad Neza.

The protagonists travel by road and on foot to the north in search of Aztlán and along the way they find the ideal elements that make them get closer to their destination. "Audiovisual experiment on the perception of time, distances and landscape. Taking as a pretext the search for a mythical place located in the north of the Mexican Republic, this film becomes an interior search".

A portrait of the punk scene of the metropolitan area of ​​the Valley of Mexico in the 80s.

Intrigued by the legendary Mexican military leader Pancho Villa's little-known relationship with Hollywood, filmmaker and sleuth Gregorio Rocha goes on a search for lost footage that Villa commissioned from the American Mutual Film Company in 1914, allowing cameramen to follow him into war. The footage includes some of the first battle scenes captured in "moving pictures." Rocha documents his encounters as he scours the film vaults and back rooms of institutions across North America and Europe for the seven reels of film that immortalized Villa. His research unveils a legacy of fictional and documentary depictions of Villa dating from the silent film era, revealing a world unsure whether to venerate or to fear this imposing figure and the forces of popular revolution that he embodied.