Heiward Mak Hei-Yan

After her father died, a Hong Kong girl discovers she has two hitherto unknown sisters, one in Taiwan and one in China. To settle her father's debt, she must reunite with them to run the family's hot pot restaurant.

A group of former mercenaries reunite to plan an epic heist: boosting a truck full of medicine held by a foreign intelligence agency to supply a refugee camp in need. But when they find the truck is actually filled with stolen gold, the band of brothers realize they’ve been double-crossed by one of their own - and putting the situation right will be all out war.

Daniel, a gay banker, falls for Kafka, a straight instructor battling addiction, believing love can conquer all, but past memories threaten their bond.

Just out of jail, Fai finds a spot on a street corner where other homeless people welcome him. But he doesn’t get much time to settle in. The police soon chase them away, and their possessions disappear into a garbage truck. Young social worker Ms. Ho thinks it’s time to fight this in court. In the meantime, Fai and his friends have other concerns.

When the Hong Kong government enacts a ban on smoking cigarettes indoors, hard-core smokers are driven outside and a budding romance develops between two co-workers.

Zhou Yi is about to leave on holiday with her boyfriend Woody, until an argument makes Zhou Yi to dump him at the airport. Their breakup is being witnessed by her ex-boyfriend.

The war between men and women never ends... Last time, Tin, Dr. Lee and Chao failed in the "mission", but they didn't take this as a lesson. They are more cautions these years and success to fool around behind their wives. This time, the team grows by a new comer - a university student Sai. At the same time, Mary, Ching, Chao's wife and Ling (Sai's girlfriend) get a DVD from Auntie Ninth. It is a very popular DVD among women recently, which is a documentary to teach women how to fooling around. Four women go to Macau to break the bond of morality. It is too late when the men discover this. They rush to Macau to ruin the women's plan. A battle between women and men begins...

An absentee father and his bipolar son are forced to live together as they struggle with a recent family tragedy. The tension and anxiety boil as they live and try to cope in a tiny apartment. As time passes, they realize their shared pain is not their only source of grief, as they find the outside world is a cruel and unjust place.

After his business goes bust, Ng Shun and his family move back to his old apartment to stay with his father. He has not returned for 10 years because the apartment is too small for his family. Furthermore, the environment is unfamiliar to Shun's family. Coincidentally Shun's old childhood friend, Lung returns too. Due to an old misunderstanding, Shun is distrustful of Lung. Will Lung regain Shun's trust again?

When an accident temporarily robs her of her voice, Diva J flees to a small deserted village to heal both her mental and physical wounds. Her life changes when she meets and falls in love with the blind Hu Ming, who inspires her to make a comeback. But, in her absence, a new diva has risen.

The Hong Kong chapter of Eric Tsang's "Growing-up Trilogy" bears testimony to the saying: "The kindness of the gods is manifested in allowing young people to embark on life unprepared." Heiward Mak, the 23-year-old director whom people in the inner circle repute to be the next shining star of Hong Kong cinema, crafts a string of vignettes about seven young people about to sit for a major public exam. Clever, humorous, angry and dangerous, this is the Cruel Stories of Youth for the Me Generation of this century of globalization and mediocrity

A pair of lovers, one of whom is a humanoid, go to a robot repair shop hoping to have their relationship mended by the mechanic. On his advice, the human owner Jackie agrees to an irreversible upgrade for Tammy, her humanoid soulmate. However, the results are not as expected. Tammy meets Anima, a fellow humanoid, setting in motion a series of events in a tango between the intangible sense of love, the harsh reality of possession, and the price of independence.

An omnibus of 4 short stories, each of them occurring in different corners of our society, but all of which encompass the same themes: courage, determination, pursuance and hope.

Four short films by four Hong Kong directors.

Luggage? Check. Travel document? Check. Keys? Check. The Year is 2040 and Ching is all set to embark on a mission to track the whereabouts of a dog and its owners which will transport her back in time before she was even born. In 2013, an age of mobile phones and Google Maps, the time-traveller meets a painter and piques his curiosity to join in her quest. Can she reach the parents she never had the chance to get to know and will he find a purpose in life after tempting fate and death? Will the mementos of their brief encounter – a painting that crystallises the artist’s feelings for her and a keepsake pendant that has been passed down for generations – survive the time and reconnect the two?

On, a primary school boy, seeks guidance from a Chinese chess scammer, who sets up endgames in the park. The two lonely souls find solace in their mentorship as they lie their ways out.

A pair of young highschool lovers fight against a hitman organisation, with violence, forgiveness and redemption. And they built a carousel just for fun.

Hung, a 40-year-old security guard of a commercial building, lives in a cramped sub-divided flat with his wife, Ping, a part-time waitress in a Cha Chaan Teng, and son, Pak Yin. Amidst all the struggles for affordable accommodation, Hung never succumbs and hopes they will eventually move into a public housing unit. Yet, the lives of three get even rougher when Ping finds herself pregnant while they are being forced to leave but unable to find a new flat. Meanwhile, Pak Yin chooses to endure silently for the sake of his parents. Trapped in such a vicious cycle, are love and companionship the way to resolve?

“Ambivalence means… nothing has happened, but you remember everything.” Another coming-of-age story about youngsters who are always desperate for but also afraid of falling in love, director Heiward Mak (High Noon, Ex, Diva) continues to examine the ambivalence of youthful love like an autopsy in this episodic adventure among a group of twenty-something. These characters might be a bunch of losers in love who are searching for self-esteem and recognition, but what make these intertwining tales relevant today are not just the pain and longing, but also the bittersweet memories and emotional growth of Hong Kong’s post-90s generation.

It is over between “her” and “him”, and she soon starts over with another “him”. It turns out “he” has another “her". It starts, it ends, it starts all over again. It is not just you and me in a relationship, there is another s/he involved. So anyone can be the third party.

A time and space that get mixed up, A brother and a sister, One who loves starting fire, Whereas the other loves extinguishing it, An unusual relationship.

High Noon was Sham Ka-ki's breakthrough in acting. At the age of eighteen, he directed his debut documentary short film, Life Must Go On. The film documents and exudes the joy of youth through cinematic images that observe Sham’s surroundings and his quotidian life in a stiff housing estate. In this short film, he questions the meaning of life, but finds answers to and proof of happiness from friends and family.

They are frozen in place, stagnating without any direction. Around them, things change rapidly.