Caroline Detournay

Every Tuesday, Claudine goes to a mountain hotel to meet men passing through. When one of them decides to extend his stay for her, Claudine’s daily life is disrupted and she finds herself dreaming of another life.

The prison in Volterra, Tuscany, is home to a unique artistic practice: It is within these walls that Armando Punzo, shut away for three decades with men serving long sentences, has created his plays.

Competitive bodybuilder Léa Pearl is preparing to compete for the prestigious Miss Heaven title. Her coach, Al, a former bodybuilding star, hopes that, thanks to Léa, he will be back in the spotlight once again. But at the last minute, Léa's ex arrives with their son Joseph, who she hasn't seen in four years.

Babyracer doesn't see the track as a circle, he sees it as an endless road. He is afraid, he might get lost and never find the finish line.

Further to an accident, Serge falls into a coma. A research team is going to try to stimulate his memory to return him to consciousness.

Marcelo Novais Teles, a young Brazilian, arrives in Paris to become an actor. But he is caught up in a very intense love as well as professional life; that's when he choses to film everything as time progresses. Dinner, parties, rehearsals, friendly and family meetings, falsely profound conversations, trips to Europe, etc. THE EXILED is the magnificently happy montage of these sequences, home movie of an obvious and chronic happiness, where the insolence of youth and its beauty are displayed. There are many well-known faces of actors who have become famous since then, which adds to the charm continuously lavished by these innocent images. Self-portrait in the form of a generational portrait, where the love of art crosses the art of living, the exile here is in the land of happiness.

The legendary French filmmaker François Truffaut was 52 years old when he died, and, a few months earlier, he had begun sharing the story of his youth with his longtime friend Claude de Givray, delving into his family history. But time was running out, and he was unable to finish his autobiography.

On an Algerian beach, kids splash about, sleep, squabble - and then suddenly go to war. And it’s neither Lord of the Flies nor La Guerre des boutons. In her first film, full of grace, Narimane Mari films this childish freefor- all closely, at the irregular pace of an imagination inspired by the highest form of reality, national History — actually, nothing less than the Algerian War of Independence. When their make-believe induces a general upheaval, we follow the flock of children as they stamp their feet up the stairs, invade houses, cross village squares, in a whirlwind of shouts and empty words. Time is stretched like in a dream, through a choreography of belligerent shadows or the night-time explosion of the cemetery, as so many warning signs of dangers to come.

Mathieu Amalric’s film with John Zorn began as a European TV commission that was quickly abandoned in favor of something more intimate: an ongoing dialogue between two friends that will always be a work-in-progress.

For 12 years now, Mathieu Amalric has been filming the stupendous New York saxophonist and composer John Zorn. Whirligig films that Zorn likes to programme during his concerts, like a musical set. They are screened here for the first time out of a concert setting. Music in the making, constellations of energies, an ever-expanding universe of sound…

Rudolf, a bookshop salesman, Gabriel, an actor, and Nicolas, a bar waiter, share more than one common point: the three of them are thirty-something, gay and... neurotic! So what a shock when following a sentimental break-up, Rudolf decides to leave Paris (and his two friends at the same time). What he wants is to put order in his life and it seems to him the best thing to do is to move back to the village of his birth, somewhere in the Austrian mountains, far from the chaos of Parisian life. After a moment of panic, Gabriel and Nicolas decide to follow Rudolf to Styria. Little do they know how eventful their trip will be...

From this "inexorable disease", Hervé Guibert did not recover. The miracle he had so much hoped for did not happen. But, before his death in 1991, three years after learning of his HIV-positive status, he engraved in his literary and photographic work "the places of [his] suffering", "the stations of [his] way of the cross". With his thin body and sunken cheeks, the handsome man with curly hair that he was, the one whose clear gaze radiated from the seaside photos, fought a fierce battle against AIDS. A fight of every moment against the decay of the body, observed and commented with a methodical care in his autobiographical novels, in particular "To the Friend Who Did Not Save My Life" (1990) and "The Compassionate Protocol" (1991), and of which he testified on television on the set of "Apostrophes"...

A dream walk through the United States of America; a meditation on the thoughts and ideals of its inhabitants, as they are exposed in their silent but eloquent home movies.

Political rivals try to sabotage a new mayor and her eccentric plans for an underprivileged French municipality.

A short film about unfulfilled masochistic desire with a score by Scott Walker & Sunn O))).

For 12 years now, Mathieu Amalric has been filming the stupendous New York saxophonist and composer John Zorn. Whirligig films that Zorn likes to programme during his concerts, like a musical set. They are screened here for the first time out of a concert setting. Music in the making, constellations of energies, an ever-expanding universe of sound…

"Jerk" is an imaginary reconstruction – strange, poetic, funny and somber – of the crimes perpetrated by American serial killer Dean Corll who, with the help of teenagers David Brooks and Wayne Henley, killed more than twenty boys in the state of Texas during mid-70s.

Nioumoune Island, Senegal. Boniface, a young priest torn between his desires, escapes from his parish. The edge of his makeshift boat, it crosses a disturbing maze of mangroves. In search of freedom, he began a journey that will confront his past, his hidden desires and the vastness of the Mauritanian desert.

A rich land economically and culturally, Algeria fluctuates today between despair and the hope of a new beginning. Then there is a series of suicides at the heart of society. The coast and the sea. Images flow into and over each other poetically like a Fata Morgana.

At a dangerous time in Algeria, 'Douar de Femmes' is a story of ordinary women who manage to defend themselves in extraordinary situations. The film focuses on a small village that has been attacked more often by terrorists from the surrounding mountains. While the men work, the women learn how to handle machine guns and explore the area. “Fear has armed us,” says the young woman Sabrina. But despite that fear, people get married, children come and keep watch.