Thomas G. Miller

The history of cinematic sound, told by legendary sound designers and visionary filmmakers.

Documentary on the civil rights activist, Viola Liuzzo, who was murdered in 1965 as she campaigned for black suffrage in Selma, Alabama, and its effect on her family.

Code Black follows a team of young, idealistic and energetic ER doctors during the transition from the old to the new L.A. County as they try to avoid burnout and improve patient care. Why do they persist, despite being under siege by rules, regulations and paperwork?

At America's elite MIT, a Ghanaian alum follows four African students as they strive to graduate and become agents of change for their home countries Nigeria, Rwanda, Tanzania, and Zimbabwe. Over an intimate, nearly decade-long journey, all must decide how much of America to absorb, how much of Africa to hold on to, and how to reconcile teenage ideals with the truths they discover about the world and themselves.

LIMITED PARTNERSHIP is the love story between Filipino-American Richard Adams and Australian Tony Sullivan, who, in 1975, became one of the first same-sex couples in the world to be legally married. After applying for a green card for Tony based on their marriage, the couple received a denial letter from the Immigration and Naturalization Service stating, 'You have failed to establish that a bona fide marital relationship can exist between two faggots.' Outraged at this letter, and to prevent Tony's impending deportation, the couple sued the U.S. government, filing the first federal lawsuit seeking equal treatment for a same-sex marriage in U.S. history. This tenacious story of love, marriage and immigration equality is as precedent setting as it is little known... until now.

ONE BAD CAT is about the transformative role art plays in the tumultuous life of 82 year-old, African-American, renowned "outsider" artist Reverend Albert Wagner. He has been a lightening rod for controversy his entire life. Racism, ego and lust led him to the brink of ruin. Miraculously turned onto religion at age 50, he was inspired by God to paint, and become a famous artist for a mostly White clientele. From a racist Southern upbringing, in his later years his artwork railed against the lifestyles of members of the African-American community, which created as many detractors as champions. Near the film's conclusion, an ailing Albert comes to terms with his checkered past. Was Albert's penitence real and did he achieve redemption through his art?