Cyril Collard

A bored wife leaves her husband for an unemployed, petty criminal.

Fifteen-year-old Suzanne seeks refuge from a disintegrating family in a series of impulsive, promiscuous affairs. Her fulsome sexuality further ratchets up the suppressed passions of her narcissistic brother, insecure mother and brooding, authoritarian father.

Jean is young, gay, and promiscuous. Only after he meets one or two women, including Laura, does he come to realize his bisexuality. Jean has to overcome a personal crisis and a tough choice between Laura and his male lover Samy.

Laurent meets Sylvia on a spring night, under the neon lights of the fun fair. A ray of sunlight shines in the life of a kid who rises up against the nasty influence of their educator Serge, who has an eye on him and his pals. But SyIvia gives him one night as a gift, and nothing more.

Raï is about a gang of youths in a Parisian suburb.This is the multicultural environment in which Mezz, Aziz, Laurent, Nordine, Poisson and the others have grown up. There is no future in Garges-les-Gonesses. Unemployment is high, drugs and violence are a part of everyday life. The opportunity to escape seems nonexistent.

Farid, a teenager of Algerian descent, spends his free time hanging out with the wrong crowds in the suburbs south of Paris while maintaining a secret relationship with illustrator Jean. Both Jean and Farid are unsure about the future of their relationship - Farid wants Jean to move to Algiers with him, but Jean doesn't want to continue being Farid's secret. But when Farid becomes embroiled in a police matter, both his passionate private life and conservative family life hurtle towards one another, with explosive results.

Based on a painting by Gustave Caillebotte.

"Angelin Preljocaj, Topologie de l'invisible" offers 3 films corresponding to 3 choreographies. 1.- Annonciation (2003), directed by Angelin Preljocaj. Annonciation dances the encounter between the Angel Gabriel and Mary, when the angel announces that she is God’s chosen one – an essential scene of conception, of the birth of faith and culture. 2.- Les Raboteurs (1988), directed by Cyril Collard. A contemporary couple in an empty room in a Parisian. They talk of love, vision, points of view and illusion. Is what these three dancers on the wooden have frozen in space with their choreographed movements and the positions of the three workers in Gustave Caillebotte’s painting The Floor Scrapers? 3.- Un trait d'union (1992), directed by Angelin Preljocaj. Adaptation of La Chambre by Jean-Paul Sartre. A story of a woman who has married and her second husband has turned insane. Her whole surrounding urges her to let the man be transported into an asylum, yet she refuses.