Jane Holzer

After four college girls rob a restaurant to fund their spring break in Florida, they get entangled with a weird dude with his own criminal agenda.

The story of two radically different men thrown together in a Latin American prison cell. One is Valentin, a journalist being tortured for his political beliefs. The other is Molina, a gay window-dresser who fills their lonely nights by spinning romantic fantasies drawn from memories of old movies.

In London's contemporary art world, everyone has a hustle. Art Spindle runs a high-end gallery: he hopes to flip a Mondrian for millions. One of his assistants, Beth, is sleeping with Art's most acquisitive client, Bob Macclestone. Beth wants Bob to set her up in her own gallery, so she helps him go behind Art's back for the Mondrian. Bob's wife, Jean, sets her eye on a young conceptual artist, Jo, who lusts after Art's newest assistant, Paige. Meanwhile, self-absorbed videographer Elaine is chewing her way through friends and lovers looking to make it: if she'll throw Dewey, her agent, under the bus, Beth may give her a show. And the Mondrian? No honor among thieves.

Spike Fumo is an Italian kid apsiring to be a boxer. He falls in love with a rich girl, who turns out to be the daughter of a Mafia boss. Spike is threatened to leave Bensonhurst by the mob, and then goes to a poverty-stricken Puerto Rican part of Brooklyn.

When a young European woman assumes a false identity in 1920s Argentina, she gets more than she bargained for.

Batman Dracula is a 1964 black and white American film produced and directed by Andy Warhol, without the permission of DC Comics. The film was screened only at Warhol's art exhibits. A fan of the Batman series, Warhol made the movie as a homage. Batman Dracula is considered to be the first film featuring a blatantly campy Batman. The film was thought to have been lost until scenes from it were shown at some length in the documentary Jack Smith and the Destruction of Atlantis.

Fiction and documentary mingle in a freewheeling portrait of Susan Superstar, a New York celebrity on a drug-fueled downward slide that mirrors Edie Sedgwick’s own self-destructive spiral.

In 1969, Taylor Mead complained to his friend artist Wynn Chamberlain that Andy Warhol had never paid him for any of the work he had done for him and Wynn said he would make a film especially for Taylor. Inspired by the banality of 1960's television, Chamberlain wrote and directed Brand X, an 87 minute series of faux television shows spoofing the politics and mass media of the day, complete with commercials for Sex, Sweat, Computer Dating and Peanut Butter. BRAND X follows Taylor Mead through a day in a wacky television studio as he portrays an exercise guru, a talk show host, a veteran returning from the American Civil War, a hospital patient in a soap opera, the President of the United States and a televangelist giving the Nightly Sermon. BRAND X satirizes President Nixon, the Vietnam War, sex, drugs, computers, money and race relations.

M2M's first original long-form documentary, Battle at Versailles, follows an event in 1973 at Palace of Versailles where top French designers such as Yves Saint Laurent and Pierre Cardin faced of against American newcomers Oscar de la Renta, Bill Blass, Anne Klein and Halston. That pitted France’s best designers against the best America had to offer. It was the first time the fashion world's gaze was fixated on American design.

One of four finished Batman Dracula shorts shown publicly by Warhol.

The efforts of an aspiring filmmaker to include an unwilling woman in his production.

Soap Opera, starring Baby Jane Holzer and Lester Persky, among Factory regulars, intercuts television commercials of its day with silent domestic scenes shot by Warhol.

Screen Test of the model ‘Baby Jane’ Holzer.

Shot at Warhol's Silver Factory, Camp features a group of Superstars putting on a "summer camp" talent show complete with singing, dancing, jokes, poetry, and Gerard Malanga as master of ceremonies.