Hiromi Uehara

Sound

Hiromi Uehara

Born March 26, 1979 · Hamamatsu, Japan (age 47)

Hiromi has been taking classical piano lessons since the age of six, and her teacher also encouraged her understanding of jazz. At twelve, she performed with an orchestra for the first time. At 14, she played with the Czech Philharmonic. At 17, she met Chick Corea and recorded an improvisation for two pianos with him. After further experience, including composing commercials for Nissan, she moved …

Known For

Blue GiantBlue Giant · 2023
Blue Giant
7.82023
MovieAnimationDrama
High school student Dai Miyamoto has his life is turned upside down the day he discovers jazz. Picking up a saxophone and leaving his sleepy hometown for the bustling nightclubs of Tokyo, Dai will find that the life of a professional musician isn’t for the faint of heart, as he must confront what it truly means to be great.
Good PeopleGood People · 2019
Good People
2019
MovieDrama
Good People is a human drama set in modern Tokyo, where nationality and background intermingle in everyday life. The story follows three young adults — each overwhelmed by a sense of powerlessness — whose lives unexpectedly intersect as they search for meaning, connection, and the courage to reclaim the dreams they once abandoned. Originally screened under the title Pancakes, the film stars Jay West, Dante Carver, and Asami Imajuku, alongside strong supporting performances from Sei Ashina, Tetsuji Tamayama, Yoshinori Okada, and Yuri Nakamura.
Hiromi: Live in MarciacHiromi: Live in Marciac · 2011
Hiromi: Live in Marciac
2011
Movie
Hiromi plays at the 'Jazz in Marciac' festival, August 4th 2010. Tracklist: 01 - I Got Rhythm [George Gershwin] (11:18) 02 - Sicilian Blue [Hiromi Uehara] (10:35) 03 - BQE [Hiromi Uehara] (09:05) 04 - Berne, Baby, Berne (*) [Louie Bellson, Remo Palmier] (05:38) 05 - Pachelbel's Canon [Johann Pachelbel, Hiromi Uehara] (09:43) 06 - Choux a la Crème [Hiromi Uehara] (08:17)
Jazz Pianist Hiromi Uehara's WorldJazz Pianist Hiromi Uehara's World · 2011
Jazz Pianist Hiromi Uehara's World
2011
MovieMusic
Originally aired on NHK BSHi.
Hiromi The Trio Project - Move: Live in TokyoHiromi The Trio Project - Move: Live in Tokyo · 2014
Hiromi The Trio Project - Move: Live in Tokyo
2014
MovieMusic
Hiromi's Sonicbloom: Live in ConcertHiromi's Sonicbloom: Live in Concert · 2009
Hiromi's Sonicbloom: Live in Concert
10.02009
MovieMusic
Recorded Live at Tokyo International Forum Hall A on December 9th, 2007
Page30Page30 · 2025
Page30
2025
MovieDrama
The four actors gathered in the studio spent three days rehearsing their 30-page script. They were told they would perform onstage on the fourth day. The cast has yet to be decided. Although they are upset about being in a closed environment with their smartphones and watches ripped away, the four devote themselves to rehearsals in order to obtain the roles they want to play. A second-rate actor, an unpopular actor, a bad actor, and an actor who can no longer find satisfaction in acting as directed. Their no-turning-back situations are gradually brought to light during rehearsals, revealing the women’s respective natures. Their performances collide as they give all they’ve got for their acting careers in this space where there are no rules nor even a director or producer. The fourth day arrives. As the masked audience watches, will they be able to show their true natures as actors and deliver a successful stage performance?
Hiromi Uehara: Live In ConcertHiromi Uehara: Live In Concert · 2009
Hiromi Uehara: Live In Concert
9.02009
Movie

Filmography

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Page30Page30 · 2025
Page30
2025
MovieDrama
The four actors gathered in the studio spent three days rehearsing their 30-page script. They were told they would perform onstage on the fourth day. The cast has yet to be decided. Although they are upset about being in a closed environment with their smartphones and watches ripped away, the four devote themselves to rehearsals in order to obtain the roles they want to play. A second-rate actor, an unpopular actor, a bad actor, and an actor who can no longer find satisfaction in acting as directed. Their no-turning-back situations are gradually brought to light during rehearsals, revealing the women’s respective natures. Their performances collide as they give all they’ve got for their acting careers in this space where there are no rules nor even a director or producer. The fourth day arrives. As the masked audience watches, will they be able to show their true natures as actors and deliver a successful stage performance?

Music