Piotr Bajor

In 1983, communist Poland is shaken by the case of high school student Grzegorz Przemyk, who is beaten to death by police. The only witness of the beating becomes the number one enemy of the state.

Shopping malls - today's place of creating desires. Best jewelry, clothes, shoes. Unaffordable by young girls, but they "work" to get themselves sponsors for new items.

Set during the German occupation of Poland during WWII. A priest in a small village meets a revolutionary who is on an assignment to kill a supposed Nazi collaborator.

A recently resurrected corpse recounts his life story, focusing on his strange relationship with a murderous alter-ego.

Inspired by true events of 2010 Polish Air Force Tu-154 crash in Smolensk, the film tells the partially fictional story of crash and various people affected by the tragedy. The protagonist is a journalist Nina, who refuses to accept the official version of the story and pursues her own independent investigation.

Two young men escape from a psychiatric hospital. They have to return the money misappropriated by one of them. They have two days to do so. They overcome many obstacles and meet various people who involve them in their personal affairs. The confrontation with "real life" is not easy for the characters. We learn the real reasons for their stay in the hospital.

In the spring of 1945, the commanding officer of the National Armed Forces in Mazowsze and older brother of 20-year-old Mieczyslaw Dziemieszkiewicz, is assassinated by Soviet soldiers. Mieczyslaw then joins the National Military Union. He becomes the commander of a partisan unit fighting for the next six years to free Poland from Soviet tyranny by terrorizing the UB and its collaborators. Communist authorities will do whatever it takes to track down the "enemy of the people's power."

The film tells the story of Jerzy, a writer whose creativity has burnt out. His wife and their seven-year-old son Jasiek live far from the city. Jerzy’s enduring creative crisis and their related financial troubles affect the married couple. They are drifting apart and falling out of love. One day, they find out their son is ill and will have to travel to the city for an operation. The long-anticipated journey is exciting for the boy. For the parents, the journey is one of anxiety and separation, which forces them to reflect anew on the essence of their relationship.

A Polish Resistance fighter who survived the Nazi years cannot accept the new Communist power.

Two brothers living in 1939 Poland decide on a whim to steal the limousine of a German consul. The seemingly small act of youthful rebellion will have massive ramifications on the two, each dealing with the aftermath in their own way - one resorts to art, the other to direct political action.

Girls no more, four heroines emerge into womanhood with a more clear-eyed outlook on life.

A surreal collage of interrelated threads revolving around history of thirty-year-old Kuba who, with his parents' encouragement, decides to take his first job. Though none too convinced, he starts work as a delivery man. Having set out on his first delivery soon after he witnesses a traffic accident. He ends up giving a statement at the police station. And his plans begin to unravel. By a twist of fate Kuba has no idea about the significance of the part he will have to play on this particular day.

The feature film debut of director Marek Koterski. Thirty-year-old Adaś Miauczyński visits his parents, which ends with his nervous breakdown.

It tells the story of the Warsaw Uprising of 1944 through the eyes of a US airman, escaper from the Nazi Stalag camp and two young reporters, cameramen for the Bureau of Information and Propaganda of the Polish Home Army. Their mission: documenting the Uprising by shooting newsreels for the “Palladium” cinema. Looking for the right shots, they go deeper and deeper – literally and figuratively – into the heart of the Uprising. Traumatic truth becomes obvious. Aware of being witnesses of indescribable events, they realize their duties: to document them and preserve the rolls of film at any cost…