Sergey Slyotov

In a capitalist country, workers are heavily repressed but manage to get a Death Ray to fight back. Partially lost movie.

The Second World War. A new L-2 heavy duty gun is being supplied to the Soviet Army. German intelligence needs to seize a new secret weapon.

An ignorant and prejudiced American’s visit of Soviet Russia goes off the rails after his luggage is stolen and he is separated from his bodyguard.

A father and son, both clowns, are to perform together for the first time, but the civil war separates them, and the elder Buldy, tempted for a moment to acquiesce to the White forces, casts his lot with the revolution.

The movie tells about the first years of Nazism. In the center of the plot is a German student graduating from an institute and receiving a diploma with a gold medal for success in science. The same is honored by his Jewish friend Joseph Voltmeyer. During the solemn ceremony, Nazi students provoke a fight, beat Joseph and Ruddy, who stood up for him.

The Great Consoler is Lev Kuleshov’s most personal film reflecting both the facts of his life and his thoughts about the place of the artist in contemporary reality. It was the only film in the Soviet cinema of those years that raised the question of what role a creative person played in society.

Two young boys strive to save the life of an officer trapped by the White Russians. Their efforts are both comic and dramatic

A lost Turkmen village in the hot sands of the Kara-Kum desert. The villagers, who toil on the parched land, are forced to go on a pilgrimage to Aman-Durdi-bai. But then four Komsomol interns arrive in the village—a Russian, a Ukrainian, a Jew, and a Georgian. The students from the hydro-technical university ask the Turkmen to organize an expedition to the Timur hills, which block access to water in the desert. One of the wealthy villagers, who has an interest in keeping the poor dependent on him for their water supply, opposes this idea.