Martin Seifert

When robbers hit Falkenstein castle, teen witch Bibi and pal Tina hunt for the crooks, then devise a plan to save the neighbors' failing ranch.

At summer camp, young Bibi and her friends are pitted against the boys in a treasure hunt. But what's a witch to do when she loses her powers?

It's perfect pandemonium when Bibi and Tina meet a runaway boy with an attitude problem, who turns out to actually be a girl, named Adea. Adea‘s uncle is so narrow-minded and stubborn that even with all her magic spells, Bibi can't manage to get the two to reconcile. Meanwhile, Falkenstein Castle is being renovated, which is driving the Count to his wits' end. Especially since Alex is planning to hold a music festival at Falkenstein and is determined to go through with it over his father's objections. And if all that was not enough, Tina gets kidnapped. Despite the complete chaos, one thing is clear - in the end, real change comes from everybody working and pulling together, not by magic.

Scenes from an East German marriage. A young couple, Sonya and Jens, are very much in love; they get married and have a child. When Sonya wants to go back to work after her maternity leave, they clash for the first time; Jens insists that she remain a full-time wife and mother. Until Death Do Us Part turns an actual police report into a gripping drama, as the director explores the depths of his characters' emotions, driving the conflict to a catastrophic climax.

Frank, a tenth grade student, falls in love with his classmate Regine. His father is a well-connected plant manager in the GDR; Regine's mother is a single parent with four children. Regine wants to become a kindergarten teacher, but her grades are poor and she is not allowed to apply for technical college. Frank champions her and seeks an open discussion about these rigid regulations. But his criticism is nipped in the bud.

A communist is released from prison in 1935 Hamburg. He tries to link up with the Party again, but is unsure as to who he can trust, and has difficulty adjusting to life in Nazi Germany.

Matthias, son of popular rural Lutheran pastor Oskar Brendel and his wife Karin, about to graduate without honors unlike his emigrated big brother, is a pubertal rebel and hopelessly in love with local Maren Grothe. After he picks a fight at the village fair with her flirt and storms off, Maren s found comatose under the watchtower. Missing, Matthias is the only suspect, making the clerical family generally mistrusted. Karin finds her son, whose innocence she believes, apprenticing carpentry on the island where his buddy loves with his father Volkmann. Matthias explains he ran having seen his father Oskar refused ending an affair with Maren, who jumped as suicide attempt. The Brendels consider the due consequences.

Moscow in the 1920s. A film about the pogroms in southern Russia is being made in a studio. The name of the notorious tsarist governor Muratov, also known as "The Beast", symbolizes the crimes of the time. During filming, an old, decrepit man comes forward who wants to be in the movie because of his resemblance to Muratov. Could it be possible that this man is the real Muratov? Everyone is so preoccupied with the realization of the material that this incident remains hidden. As artists, everyone has their own visions - which often bypass reality ...