Anna Sanmartí

The voice of girls and women from Muslim families, born here or arrived as children, who rebel against the patriarchal tradition and demand the protection of their rights in Catalonia.

Shot in Cameroon and Brussels, 'Je ne suis pas moi-même' examines the complex network surrounding the international market of African antiquities, and the contradictions in a European art market hungry for new tribal objects. Where do the African masks come from? What journey do these masks make before their unveiling in the windows of the biggest galleries or art collections in Europe? Who determines the economic and aesthetic value of these objects now that colonialism is supposedly dead? And then there’s a continent called Africa, in need of economic resources and therefore willing to sell its cultural heritage or, if need be, to fake it. The authenticity of the objects becomes blurred when the people that once adored them start to sell them.

The artist Mateo Vilagrasa from Castelló, one of the greatests creators of the end of the twentieth century, who was quadriplegic for 15 years fter an accident, prepares the trip to his departure. This is his last chance to make a difference about the direction of his work and his life. A thinker that paints about the “self” and about the sense of existence.