Irina Volodko

May Night

By Nikolai Gogol's "May Night, or the Drowned Maiden". Son of a stubborn mayor can not get his father's agreement to marry an ordinary peasant girl. Unexpectedly he gets the help from an "evil force"

Her Right

About the growth of social consciousness of an Uzbek woman.

A Severe Young Man

A young sportsman Grisha Fokin falls in love with Masha, the wife of an outstanding scientist - Yuliyan Nikolayevich Stepanov.

True Caucasian

The film mocks the stereotypical image of Caucasians and Georgians. False representations of the Caucasus are satirized: Kakhuri wine flows like a spring on a narrow street of Tbilisi, which is drunk with wine glasses; Barbers shave their clients with a dagger, and if something offends them, they cut them with the same dagger; And A dancing Georgian woman dancing is observing all these without any emotion.

Napoleon Gas

A squadron of American warplanes, armed with gas developed by Corsican chemist Gannimer (dubbed "Napoleon Gas") flies to Leningrad. American workers inform soviet comrades about the impending catastrophe. But the air attack on the city has already begun, and the assault troops of the enemy capture one suburb of the city after the other. The Red Army is organizing the defense and reflects the attack of the enemy with gas-armed drones

Asya

The adventurous love story of Turgenev's illegitimate daughter Asya, who ran away from the estate to St. Petersburg with her lover, is intertwined with actual facts from the writer's life. The film has nothing to do with the novel of the same name.

Crystal Palace

After a pacifist artwork incurs the displeasure of totalitarian state authorities, its creator is accused of the murder of a state official.

Ivan the Terrible, Part I

Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.