Gigetta Morano

Five young men dream of success as they drift lazily through life in a small Italian village. Fausto, the group's leader, is a womanizer; Riccardo craves fame; Alberto is a hopeless dreamer; Moraldo fantasizes about life in the city; and Leopoldo is an aspiring playwright. As Fausto chases a string of women, to the horror of his pregnant wife, the other four blunder their way from one uneventful experience to the next.

This film shows the realistic battle scenes of the Siege of Moscow, with the sensational defeat of Napoleon, with the belching cannon, the battling soldiers, scenes of heroism and daring reproduced in the most exquisite photography.

After seven years of traveling, Aeneas and the other Trojans are surprised by a storm that wrecks their ship on the African coast. Here they are led by the Amazons to the Queen of Carthage, Dido, who soon falls in love with Aeneas. When the King of Numidia, Iarbas, comes to marry Dido, she rejects him. But in the meantime Anchises appears to Aeneas in dreams, and commands him to leave to found Rome. So, while Iarbas’ army surrounds Carthage, Aeneas embarks secretly for Rome.

Italian short drama directed by Luigi Maggi.

Robinet brings down the house when he unleashes himself on Mimi Kratzfuss , an attractive opera singer, during a music hall performance.

The Queen of Nineveh plots with Prince Canach to destroy the King. Hidden behind a curtain they see the King drink poisoned wine. The High Priest takes the King's young son Aznra, and hides him, and fifteen years later brings him forth and presents him to the populace, which greets him with acclamation and moves on the palace to avenge the death of the King. Prince Canach cravenly hides when the Queen bids him lead the royal guard against the mob, and she dons his armor and takes his place at the head of the troops. A sensational battle takes place .reaching its height on the steps of the palace. Azura singles out, as he thinks, Prince Canach and when his opponent falls mortally wounded he finds it was his own mother.

Il Fiacre n. 13, from the novel of the same title by Xavier Henri Aymon Perrin, Count of Montépin, a highly prolific and much-loved author whose books were vehicles for the depiction of social inequality, narrating stories of love, death, betrayal, blackmail, and redemption. The sweeping narrative of Il Fiacre n. 13 was mutilated by the Italian censor’s suppression of its first part, the most cynical episode, which sets the scene for a scheme discernable in the other three episodes, as the story develops from a sordid murder through plotting and deceit to finally reach a happy ending.

Robinet escapes from his wife’s smothering devotion to the adventure of lovemaking outside marriage.

Four comedic episodes follows different taxi drivers.

I raggi “Z” has been irresistibly charming in every stage of its gradual rediscovery. A 15-minute fragment with lovely scenes of a snowy cityscape of Turin surfaced in the early 1990 at the CNC in Paris, and was then identified as Oca alla Colbert (Eleuterio Rodolfi, 1913), because of the seamstresses masquerading as geese. After additional discoveries we could screen 30 minutes of the same French version at the Cinema Ritrovato 2009, in the section dedicated to Gigetta and Rodolfi. The storyline gave away the correct identification of I raggi “Z”, a 1917 Ambrosio production, whose director remains unknown. But would any other Italian director than Rodolfi be able to create a comedy of such elegant, warm-hearted humour and enticing brio, and set the stage so well for Gigetta’s wonderful acting? (Mariann Lewinsky)

A film directed by Luigi Latini de Marchi

Two friends are both in love with the lovely widow Gigetta Moreno. When they duel and one is victorious, he is happy with his conquest for about sixteen frames. After that, the dressmaker, hatmaker and other tradesmen present their bills for the wares sold her.