Priscila Assum

The third episode of the Cities of Love franchise, Rio, I Love You is an anthology, created by 10 visionary directors from across the globe. The story line of each segment focuses on an encounter of love in a different neighborhood of the city, demonstrating the distinctive qualities and character of that location. The film serves to bridge gaps between cultures, educating and entertaining the audience, while celebrating unique and universal expressions of love.

Dani is about to get married and travels with three other friends to Bariloche for her bachelorette party. The girls expect a fun and peaceful trip, but when they arrive in the Argentine city, things start to go wrong and the group has to make do: Karen forgets to book a place and, from there, the situation only gets worse. Together, they will need to find practical solutions to their problems and experience completely unexpected adventures.

Successful at work, Fernanda is an example of women of the third millennium, free to make their choices and independent. Yet in her personal life she finds herself struggling to find a husband. Like other women of her generation, Fernanda put her personal life on hold to devote herself to her career and now suddenly feels her love life situation has become an emergency. Being single at 39 is quite different from being single at 29, after all "the fertile egg has an expiration date"!

Vlad is one of the employees in the Human Resources department at his company. As the end of the year approaches, he becomes responsible for organizing the "firm party", an end-of-year party to boost the morale of the staff, deeply shaken by a series of layoffs. Determined to prove himself to his ex-girlfriend, he accepts the challenge. Everything starts well, but things end up getting out of Vlad's control, who will have to do everything possible and impossible to solve all the problems and make the party work.

Marquinhos (Lúcio Andrey) lives in the Rocinha favela, in the city of Rio de Janeiro. He gets involved with Débora (Priscila Assum), a young woman from the upper middle class with whom she starts to face adult life and several difficulties that try to separate them.

José Henrique Fonseca crafts an ambitious and long overdue homage to a central icon in Brazil’s 20th century history. Reminiscent of film noir classics, the biopic tells the glorious and tragic story of the legendary football striker Heleno de Freitas. The sumptuous black and white cinematography reflects the chic life of Rio de Janeiro in the 1940s as it fell under the spell of sports royalty. Heleno was no doubt one of the most popular players of his time for his bravura in the field and magnificent goal-scoring that lead the Botafogo team to the top and himself into a vicious downward spiral.

The day a man almost runs-over a puppy, he meets the love of his life. The couple and their dog live the dream, until she wants out.

Two children flee together with a grown up from a slum in Rio because this man had problems with the local drug lord. They end up in the house where a rich American citizen lives with his daughter.

A doctor searches for answers. A young mother works the streets. A corrupt cop struggles to make ends meet. A homeless girl juggles for spare change. It's the night before Easter Sunday, and on Copacabana beach, anything can happen.

Unlike the other children, Sophie discovers in the midst of her abilities to paint the gift of being able to cure illnesses. The news spreads and reaches the hands of a tabloid journalist. To protect the girl, her separated parents need to unite.

Manuela is journalist in her thirties who faces love and professional crises. In an unexpected incident, she gets to know Elena, who takes her to a support group for women who love too much or are excessively jealous: the League of those who are Obsessive-Compulsive for Affection (L.O.C.A., Brazilian slang for "crazy"). The therapist seems to be an extremely mature and structured psychologist. Manuela sees this group as a chance to write an incredible article about the current female roles and wishes.

The 1990s marked the success of the boy-band Chocante. Twenty years later, the group has disbanded and the members took different paths in life. The old colleagues gather for an unexpected event, the death of one of the group members.

Terrified by urban violence, a middle-class family in Rio de Janeiro mistakes a black office boy as a burglar when the he was sent to pick up a wedding dress for urgent adjustment.

Nanda must rethink her plansof studying in Amsterdam when she discovers she is pregnant. After losing the support of her boyfriend Léo, the young girl decides to return home, where she suffers a serious accident and dies.However, Helena, her doctor, is able to save her new-born twins: Francisco and Clara. Unfortunately, Clara suffers from Downs Syndrome. Helena feels a strong emotional tie to Clara and adopts her.Years later, the twins’father Léo, a young and wealthy businessman, returns to the scene, wanting to gain custody of the children.However, Helena and Alex fight to the end to retain guardianship of the twins, whom they have raised with such love.

Three inseparable friends get together every afternoon to play, but Leocádia, their evil building manager, always gets in their way. When something fishy happens around the building, they become the Blue Building Detectives!

An ambitious young woman with a traumatizing past targets an Italian man, the distant son of a wealthy Brazilian family.

A scandal erupts in Brazil during an investigation of alleged government corruption via oil and construction companies. Loosely inspired by true events.

"E Aí - Comeu?" is a brazilian serie about the movie with the same name. The plot shows the story of love lives of three best friends Fernando (Bruno Mazzeo), Honório (Marcos Palmeira) and Afonsinho (Emilio Orciollo) who live different phases of their lives.

Ernesto, the exterminator of monstrous beings and other things is a TV series based on the book by Roy Berocay.

Edu Sterblitch and Tatá Werneck present, comment on, and recreate their own show as it happens, with sketches, internet parodies, and commercials that nobody asked for.

After her marriage becomes a nightmare, the humble small town girl Clara is committed to a psychiatric hospital and prevented from seeing her son growing up. It was all a scheme by her manipulative mother-in-law, who wants to seize her lands and explore their emerald mines. Betrayed and humiliated, Clara bounces back and returns ten years later as a powerful and wealthy woman. Even thirsty for revenge and justice, she never loses her softness to win back her son's trust and maybe find a new love.