Ornella Vanoni

Twin brothers were raised by wolves, revolt against tyranny in pre-Roman Italy and then come to a parting of the ways as they lead their people toward the founding of a new city, the founders of Rome.

When the family patriarch is murdered, seven women find themselves trapped together in his mansion to solve the mystery.

Set in 18th-century Eastern Europe, the film concerns the star-crossed romance between a Polish military officer and a gorgeous Slavic princess. The princess' vengeful lover cuts a path of death and destruction throughout the land.

High school professor Guido is a hopeless romantic whose life falls apart after his girlfriend leaves him. Paolo, a former student of his, helps him in getting out of his depression for a better chance to become a PE teacher himself.

When a promising record company president is arrested, his daughter takes over his company to promote her own rock and roll music by promoting various young singers.

A famous radio announcer is being retired at the top of his career and in full professional maturity. But for him and his wife life is not over now, he has more plans.

Three episodes of varying pitch and quality. In the first a maid plans the elimination of her lover's wife with him, but she doesn't enjoy the fruits of victory. In the second (The patrol) a soldier of the Foreign Legion neglects his duties for running after a prostitute. The third segment has as its protagonist a general of the belle époque that goes on a date.

Karin, a Swedish music student in Rome, falls in love with Bruno, a medical student. After learning he is married, she returns to Sweden, where she meets and marries David, an American diplomat. When he is assigned to Rome, Karin’s past unexpectedly comes back into her life.

On the fiftieth anniversary of Milan's Franco Parenti Theatre, co-founder Andrée Ruth Shammah leads a journey through its history, memories and enduring creative spirit. Through archival footage, fragments of landmark productions and the voices of actors, directors and artists who have inhabited its stage, the film retraces five decades of theatre, friendship and artistic experimentation, bringing together the “scarrozzanti” of the present and the “spiritelli” whose presence still seems to live within the theatre's walls.

A timeless spa town, a 1940s hotel, a place that transports the present to who knows where. Not the past, Ornella Vanoni's life, but the revelation—current—of her intimacy, exhibited through a relationship: her relationship with the director. The energy, the character, the music, the confrontations, the heat, the fatigue. Everything is filmed without sparing anything, not even the arguments between Ornella and Elisa. The film goes along with what Ornella naturally generates and bends to the unexpected, to the present. And then there are the encounters with friends, musicians, Vinicio Capossela, Samuele Bersani, Paolo Fresu's trumpet resounding in the empty spaces of the grand hotel where, between identical days marked by care and treatment, the story, the memory, but also the future take shape as Ornella prepares to become a fantastic creature made of voice and dreams, destined for eternity.

The documentary follows Mauro Pagani as he temporarily loses his memory and reconstructs his identity by weaving together memories, music, and encounters with friends and colleagues.

A Late Show with a strong identity that bears the name of Alessandro Cattelan: surprising interviews, monologues, music and guests who face all the challenges, even the most unlikely, but without ever taking themselves seriously.