Maria Zanoli

Epic account of the thief Barabbas, who was pardoned for his crimes and spared crucifixion when Pilate offered the Israelites a choice to pardon Barabbas or Jesus. Struggling with his spirituality, Barabbas goes through many ordeals leading him to the gladiatorial arena, where he tries to win his freedom and confront his inner demons, ultimately becoming a follower of the man who was crucified in his place.

After fierce Roman commander Marcus Vinicius becomes infatuated with beautiful Christian hostage Lygia, he begins to question the tyrannical leadership of the despotic emperor Nero.

A washed-up filmmaker gets a second chance at stardom when he discovers stunning peasant Maria Vargas dancing in a Madrid nightclub. Goaded by his producer, the director convinces Maria to screen test for, and then star in, his next big picture. But as the producer's possessive nature and the realities of stardom weigh on Maria, she seeks a genuine lover with whom she can escape.

A middle-aged man meets a young woman who is waiting on a canal bridge for her lover's return.

The title of this French "reality" drama, which translates to Before the Deluge, is a play on Louis XVI's famous prognostication, "Apres moi, le deluge." Set in 1950, the film concentrates on five Parisian adolescents. Certain that the next war will herald the apocalypse, the youngster make plans to run off to a desert island and set up a new society. This, however, will require money, which is why the boys decide to pull off a "necessary" robbery. Idealism collapses in the face of cold reality, as the five youths suffer from the consequences of their actions. Avant le Deluge was one of a group of films cowritten by director Andre Cayatte and Charles Spaak which endeavored to explore the touchy social issues of the day: others in the Cayatte-Spaak canon include the euthanasia-themed Justice est Faite and the capital-punishment tract Nous sommes tous des assassins.

A wealthy, self-absorbed Rome socialite is racked by guilt over the death of her young son. As a way of dealing with her grief and finding meaning in her life, she decides to devote her time and money to the city’s poor and sick. Her newfound, single-minded activism leads to conflicts with her husband and questions about her sanity.

Aging small-time conman Augusto works with two younger men: Roberto, who desires to become the Italian Johnny Ray, and Carlo, nicknamed Picasso. Through a series of mishaps and personal entanglements, things go badly for Augusto.

A melodrama supervised by Roberto Rossellini.