Libgart Schwarz

Acting

Libgart Schwarz

Born January 25, 1941 · Sankt Vein, Austria (age 85)

Libgart Schwarz is an Austrian stage and screen actress. She studied at the Max Reinhardt Seminarium in Vienna. In 1967 she married Pater Handke. They have a daughter, Amina. Libgart Schwarz was recruited by Peter Stein to the Schaubühne ensemble, where she also worked with Luc Body.

Known For

Class RelationsClass Relations · 1984
Class Relations
6.81984
MovieDrama
A young man, recently arrived in New York from Europe, becomes swept up in a series of events that are beyond his knowledge or control.
MalinaMalina · 1991
Malina
6.21991
MovieDramaRomance
An unusual story of a triangular relationship in Vienna. A woman shares an apartment with a man named Malina. The woman meets Ivan and falls under his spell. It will be her last great passion. Her feelings are so strong and all-encompassing that Ivan can neither understand nor return them.
WundkanalWundkanal · 1984
Wundkanal
6.71984
MovieDrama
An old man is kidnapped. His interrogation uncovers the biography of a mass murderer: The 80 years old man was a SS leader and responsible for the killing of thousands of people in the Soviet Union. He also "invented" an evil technique of eliminating political prisoners: the manipulated suicide. Thomas Harlan reconstructs the history of a bureaucratic murderer, he also develops a direct connection between the Nationalsocialism and the treatment of prisoners of the RAF terrorists in the Stuttgart isolation prison. Robert Kramer filmed the shooting of Harlan's Wundkanal: Notre Nazi documents a social experiment in which the children of Nazis and of victims meet a real culprit. The reality seems to be stronger that the fiction in Harlan's film. (Edition Filmmuseum)
The Goalie's Anxiety at the Penalty KickThe Goalie's Anxiety at the Penalty Kick · 1975
The Goalie's Anxiety at the Penalty Kick
5.91975
MovieDrama
Goalkeeper Josef Bloch is sent off after committing a foul during an away game. This causes him to lose his bearings, and he wanders aimlessly through the city streets and spends the night with the box-office attendant of a movie theatre.
Live Is LifeLive Is Life · 2010
Live Is Life
4.42010
MovieComedyDrama
A greater-Vienna seniors' home is run like a prison by the stuck-up female executive and staff. Hippie-type rebel Rochus 'Rocco' Siwak incurs a community service to be spent there as orderly. Sympathizing with seniors who still aspire to some dignity and self-realization, he helps them get around the rules, such as smuggling in contraband, and ends up inspiring them to form a rock band and enter a free podium competition. But it doesn't square with his own last shot as band guitarist.—KGF Vissers
AntigoneAntigone · 1992
Antigone
6.01992
MovieDrama
A fearless Antigone, refusing to allow the dishonored body of her murdered brother Polynices to be devoured by vultures and dogs, defies the Thebian tyrant Creon by burying him.
Summer in the CitySummer in the City · 1972
Summer in the City
6.11972
MovieDrama
After a long prison term, a free man wanders into a new reality.
Winterreise im OlympiastadionWinterreise im Olympiastadion · 1979
Winterreise im Olympiastadion
1979
MovieDrama
In the winter of 1977 Schaubühne staged texts from Hölderlin's "Hyperion" in the Olympic Stadium in Berlin, associating with historical, political events and terrorism of recent times.

Filmography

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WundkanalWundkanal · 1984
Wundkanal
6.71984
MovieDrama
An old man is kidnapped. His interrogation uncovers the biography of a mass murderer: The 80 years old man was a SS leader and responsible for the killing of thousands of people in the Soviet Union. He also "invented" an evil technique of eliminating political prisoners: the manipulated suicide. Thomas Harlan reconstructs the history of a bureaucratic murderer, he also develops a direct connection between the Nationalsocialism and the treatment of prisoners of the RAF terrorists in the Stuttgart isolation prison. Robert Kramer filmed the shooting of Harlan's Wundkanal: Notre Nazi documents a social experiment in which the children of Nazis and of victims meet a real culprit. The reality seems to be stronger that the fiction in Harlan's film. (Edition Filmmuseum)

Voice