Aleksandr Ilkhovskiy

The sea, August, interesting and simple people. They tan, swim, play volleyball, basketball, drink, dance and then find someone to spend the night with. Many grew out of their student phase and can afford a more comfortable holiday but when July comes they grab a tent, jump into their cars and come here. Here, nobody talks about work and the size of your wallet means nothing.

Medea is an intelligent, highly educated woman who gives up on her dreams when she falls for rich businessman Alexei. When the pair have two children, she patiently waits for him to divorce his wife, and as he decides to emigrate from Russia to Israel, she meekly follows him. But when he shuns her for having committed a crime to protect him, her blind love turns into burning rage.

Two men and a woman happen to meet in a bar. We learn from their conversations both the intriguing and banal details of their lives. But is anyone really telling the truth?

A short movie and university exercise filmed in 1981.

Film exposes the corruption and the decadence of the late Soviet bureaucracy in Azerbaijan SSR through the eyes of a naive Azerbaijani adult man, Hatem.

Boris Yukhananov's film triptych based on Andrey Vishnevsky's play "Pinocchio's Mad Angel".

The social ferment in late 19th century Russia which led to the 1917 Russian Revolution is movingly portrayed in this lengthy historical drama, which is very faithful to the 1907 novel The Mother by the celebrated Marxist writer Maxim Gorky (1868-1936). In the story, "the mother" has no other recourse than to watch her decent, kindly husband turn into an animalistic, drunken brute as a result of working in the inhuman conditions of a steel mill in the town of Sormovo. When he begins to express his suppressed rage by beating her, she is defended by her teenaged son Pavel. After his father's death, Pavel is forced to go to work in the same factory. However, Pavel and his friends begin investigating Marxism and socialist thought, and work to organize their fellow workers.

In this movie we follow fate not a person but car: first Soviet Lada. It starts with Brezhnev daughter and then gradually moves on parallel to last years of USSR into wild after-perestroika years with bandits and newly born oligarchs.