Ney Matogrosso

Young directors are filming “The Exhibitionist” in the middle of a farm in a paradise-like region. The film poetically investigates the Brazilian soul, with the Amazon as the center of the world, reflecting on existential issues, the right to sexual freedom and individuality.

ABYSSAL FISH is a creative film in the border between fiction, real and performance through the artistic work of Luís Capucho. A singular artist who survived the time when the HIV represented the death stigma. Building an amazing work of poetic power post­disease, Capucho surpasses the physical sequels that have left him mute and without part of his body movements for a while, until the current partial recovery.

Since her historic participation in the International Song Festival in 1972, in a performance that would earn her the Honorable Mention award, Maria Alcina has become one of the most beloved figures in Brazilian music.

While the country is under the yoke of a military junta and corrupt priests preach the apocalypse, a lawless, eccentric family – a kind of Bonnie & Clyde with kids – trek through the Brazilian interior. Their first aim is to deliver a consignment of weapons to a group of militant nuns who have withdrawn to the jungle, living off the income from their cannabis plantation. As gay , bi, trans, the converts so organized to make revolution.

From a repressive childhood to artistic revolution, Ney Matogrosso transforms Brazil's stages — and himself — through music, creativity and inner fire.

Film based on Manoel de Barros poetry. Story about poet's life in the swamp area of Brazil (Pantanal) and its wildlife; & his obsession with the sea and his new life in the big metropolis in Brazil.

The border between Brazil and Paraguay: living on opposite sides of a big river, Brazilian boy Joca falls in love with indigenous-Paraguayan girl Basano. A magical tale of impossible love and adventure in this land full of memories of colonial wars and indigenous genocide.

The vertigos in the urban landscape take the Bird-Man back to his origins, in a metaphor about life cycles. "Bird-Man" is a film from the poetic nature of Brazilian singer, Ney Matogrosso. During the 1970s dictatorship, he broke sexual taboos with a "strange" behavior on stage and became one of the most famous brazilian singers. Inspired in Cassiano Ricardo's concrete poems and the experimental music of Ney's repertoire, "Bird-Man" explores a sound and visual lyrical aesthetic of high contrasts that approximates man to nature's feelings.

During a night of humiliation, Raymond lives an inner revolt and a kaleidoscopic journey in a country that is about to collapse.

On the first day of the year, multiple characters meet in a sumptuous country house nearside Rio de Janeiro. From dawn till dusk, they all face their crisis and limitations, and search for a meaning for their lives.

A poetic film that celebrates the work of Alberto Pimenta, fruit of a friendship and complicity maintained during the last 24 years.

Tereza tries to leave her past and forge her own destiny and happiness by going through several affairs.

Jorge, bastard child of the infamous Red Light Bandit, decides himself to pursuit a life of crime after meeting with his father, who has been incarcerated for the last 30 years.

"Cassino do Chacrinha" is back on a journey into the universe of the Old Warrior that celebrates the centenary of one of Brazil's greatest communicators: Abelardo Barbosa.

After farewell, the waiting. After the waiting, the return. After everything, all they wish for is to be together and one day is enough for them to wait for the next one.

“Naked Eye” is a film-documentary of long-length of the artistic and existential universe of the singer Ney Matogrosso, which proposes to recreate through archive’s images in counterpoint with the current production of the artist, thirty-five years of career marked for inventive and transgressing spectacles, always symphonize with its time. Through a coherent boarding with its intransigent trajectory, the film intends to translate the language musical-corporal of Ney Matogrosso, trying audiovisuals resources that express signs evoked poetical politicians and in the repertoire of the singer. A film-song that that looks for to, ultimately, embody the voices of an artist who searches for a nation.

Reeling from the death of her mother, Beatriz moves to Brazil where she begins an intense and toxic relationship with Rogério, an older musician struggling with his family's artistic legacy.

A film about love, also a memoir, about the trip made in the 1970s to Morocco by Jarda Ícone, an artist, sexologist, and octogenarian rocker, as she defines herself, and Lírio Terron, a human rights activist. In fact, a journey that is not over in their lives. Jarda Icon teaches classes on how women can obtain their own orgasm. With her group of disciples and friends Ana Brasil, Sheyla Fernanda, Caroline Sylvie and Lakshmi she develops self-sustainable feminist and artistic projects. The film is political, but not at all politicized in the traditional sense. It is an ode to the underground and counterculture movements, it is a hymn to freedom, and its title is also a tribute to Oswald d Andrade, one of the main names in Brazilian modernism.

Ney Matogrosso brings the repertoire of a memorable tour. Among the songs are compositions of renowned artists with a new outfit and some unpublished successes.

A study that unwraps a paradisiac scenery, reaching the subjects of Brazility and its force in the change of habits, breaking taboos and bringing out a magical and original reality throught its characters.

A documentary that follows the life of Serguei - flight-commissioner-turned-rockstar, hippie guru, rockstar and Janis Joplin's lover - chronicling his life from the early 60s until present day.

Os Trapalhões was a Brazilian comedy group and also a Brazilian television series created by Wilton Franco. Its members were Dedé Santana, Zacarias, Mussum and their leader Didi Mocó, that was played by Renato Aragão. The name Trapalhões is derived from the Portuguese verb atrapalhar, which means the opposite of helping, to do something the wrong way or to Those that confuse. The name is translated "Tramps" in English DVD subtitles. It was aired by Rede Globo from 1977 to 1999. On March 18, 1990, Zacarias died due to respiratory failure, but the group and the series didn't come to an end until July 29, 1994, when Mussum died due to an unsuccessful heart transplant.

Journalist Pedro Bial discusses the most important current news in Brazil and in the rest of the world.

The cheerful and outgoing Jordana lived alongside Silas for 20 years, helping him become wealthy. Despite this, he abandons her to run away with the opportunistic Carla. After the separation, Jordana faces financial difficulties. She then meets Dona Mena, an eccentric and lonely old woman abandoned by her family. Jordana takes care of Dona Mena and, when she dies, inherits four bronze cupids containing a million dollars. The problem is that the cupids disappear without a trace. The cupids become the subject of a fight between Dona Mena's nephews, Loreta and Carlito. The two are the villains of the story. Jordana, however, ends up falling in love with Carlito. In the final chapters, Jordana manages to recover the cupids and rebuild her life. She has the help of her friend Vieira.

In a future where the elite inhabit an island paradise far from the crowded slums, you get one chance to join the 3% saved from squalor.

When she was a young girl, Heloisa was harshly torn apart from the love of her life: Pedro, a straightforward romantic young man whose powerful family strongly believes the ends always do justify the means. Because she comes from a very humble background, Pedro's parents set up all kinds of intrigues in order to prevent the couple from fulfilling their seemingly predestined love story. Twenty years later, all it takes is a casual encounter to spark that feeling again and have them fighting against not only Pedro's family tricks, but also Heloisa's mighty and unscrupulous husband.

The story begins in 1951 in Kubanacan, a small Caribbean island country known as a"banana republic", both for its prime export and its economic problems. After the death of the current president, General Carlos Camacho imposes a coup d'état and establishes a dictatorial regime. In addition, the new ruler marries the wife of her predecessor, Mercedes, first lady loved by the people for her help to the poor and with whom she had an affair for years. In the village of Santiago, a mysterious man falls from the sky during a storm with a chest shot, being saved by the fishermen and cared for by Marisol. Without memory, Esteban falls in love with the girl and disputes his heart with her husband, Enrico, who leaves and lets his ex-wife live with the new love, who takes over her two children. Seven years later, in 1958, Marisol meets Camacho, who convinces her to leave and live as his mistress, claiming she would never get out of poverty in the village.

Marked by the reputation of “son of the devil”, Zeca sees his life change when he falls in love with Maria Rita, Santinha. But the young woman's devotion and expectations about her destiny put the romance to the test.

The story revolves around the conflicts within Silvana and Oliva's family—her mother and paternal grandfather—who are fighting for custody of Zeca after the child's father dies.

The famous psychologist Teca falls in love with the widower Renato, father of one of her patients. The romance awakens the jealousy of Stela, who harbors an unhealthy passion for Renato, her brother-in-law.

In a spin-off centered around men, in each episode, Angélica meets with famous guests to discuss topics rarely discussed by them in public.