Vittoria Lepanto

Thibault de Croucy campaigns against the Jews, in the circle of rue Royale, before learning that he is the son of one of them: the prominent banker Gotlieb had been his mother's lover — an adaptation of an Henri Bernstein play first presented in Paris in 1908. The legendary French director André Antoine, working in Italy after the war, struggles to import his usual style, remaining close to the Italian melodramas of the 1910s. Taking a more incisive path than Bernstein, he frontally accuses the Catholic Church of being responsible for antisemitism. Not received well by Italian critics, the film's release is short-lived. A unique element was found by Philippe Esnault in the collections of the Cineteca Nazionale in Rome in 1973 and served as the basis for a 2005 restoration.

Based on Oscar Wilde's namesake drama. While praying, John the Baptist is captured and taken to Herod's palace, where he's locked in an underground prison. Herode desires Salome, but she has become infatuated with John. When he rejects her, Salome promises revenge. At Herod's feast, she demands John's head, which is brought to her. Herod then orders his soldiers to kill Salome as well.

Don José Navarro, a cavalry brigadier in the Almanza regiment, meets Carmen, a gypsy girl from Seville whose beauty and provocative air seduces him to madness. He betrays his orders to court her, and soon, at her instigation, joins a muggling company, thus abandoning himself completely to a life of adventure. Don José commits crimes to protect the treasures entrusted to him by Carmen, but when he discovers her with another man, tragedy befalls.