Max Asher

The Florida Keys in 1840, where the implacable hurricanes of the Caribbean scream, where the salvagers of Key West, like the intrepid and beautiful Loxi Claiborne and her crew, reap, aboard frail schooners, the harvest of the wild wind, facing the shark teeth of the reefs to rescue the sailors and the cargo from the shipwrecks caused by the scavengers of the sea.

With a little-known director and second-string cast, the two-reel Moonlight Nights is typical of these low-budget independent productions. The comedy’s plot is not much: Told by his exasperated father to find a job, a klutzy rich kid named Art (Joe Moore) follows a bevy of dancers to their nightclub, where he tricks the maître d' into hiring him as a waiter. No guest proves safe from Art’s clumsy antics, but the shapely cabaret performers, led by Mademoiselle Fifi (Gloria Joy), dance on in the ensuing chaos.

A short western/crime film.

Nuts in May, re-cut, with added footage and outtakes from _Pest, The (1922)_ , combined with newly shot sequences to bridge the scenes.

A Baby Peggy two-reeler

Directed by B. Reeves Eason. With William Fairbanks, Eva Novak, Lydia Knott, Bob Rhodes.

Two rich capitalists want to marry their children, but they don't like the idea at all. She tries to run away, and meets him at the station. They fall in love, unbeknownst to their real identities, and decide each on their own that they have to wreck their parents plan. Preserved by the Academy Film Archive.

The Bandit Tamer is a 1925 American silent film directed by J.P. McGowan.