Edgar Jones

Mary Lane and her cousin Claiborne want to sell some land left to them by their family. Real-estate agent Roland Manning falls in love with her, and prepares a deal that will make money for both of them. However, shady land speculator Wade Dempster plots to get Claiborne drunk and swindle him out of the land. In order to get the honest Roland out of the way, he has him framed for a murder that Wade himself committed. Things look hopeless for Roland.

James Sheridan becomes wealthy and a power in a middle west city, where his entire life is absorbed in the turmoil of his own creation. The only thing he lacks is social standing, and this he strives to gain by methods he has successfully employed in driving a business deal.

Upon seeing millionaire Lee Brooks's picture in the paper, Julie Le Fabrier, a romantic young model in Madame Swan's dress shop, immediately falls in love with him. Soon afterwards, Julie is sent to the Grand Tides Hotel to deliver a dress to Madame Ricardo, an attractive young woman whose bills are paid by Lee's lovestruck father, Mason Brooks. Having seen her husband, whom she believed to be in South America, on the grounds, Madame Ricardo deserts the hotel, so Julie dons the gown and masquerades as Mason's mistress.

John Kavanagh, a Maine lumberman, clashes with Stephen Marthorn, owner of a spruce-logging company, when Marthorn orders his men to make their drive before Kavanagh can get his logs down the river.

Jilted on her wedding day, Maud Wainwright becomes a confirmed man-hater. Homesteading in the Southwest, she ignores the attentions of both bandit "Three Gun Smith" and Sheriff Steve Kennedy. When Smith's gang accidentally knocks over Maud's cabin, the men take her to Smith's cabin while they rebuild her dwelling. There, Maud discovers a mail pouch and believing that it was stolen by Smith, reports him to the sheriff, who persuades her to assist him in arresting the bandit. After Smith is captured, Maud discovers papers that prove he is actually a secret service agent and that the sheriff is the real bandit. Riding to Smith's rescue, Maud prevents him from being lynched at the hands of vigilantes and then proclaims her love for him.

The Last Outlaw (1919) proved very tantalizing. An end-of-the-West Western, it shows its grizzled hero revisiting the town of his youthful exploits. But now, in an anticipation of Ride the High Country (1962), civilization has taken over. Cars chase Bud off the streets and the theatre features movies (Universal Bluebirds at that, a bit of product placement). Ford heightens the contrast by letting us into the hero’s memory, introduced by the title: “Memories of the past flashing back to him”—the earliest reference to the term “flashback” I recall seeing in the movies.

Buck, who is preparing to enter a theological seminary, aids his brother and some friends who are fleeing from justice, and thus implicated he is sent to prison for 2 years. There he meets again Hope Standish, a Salvation Army girl who had interested him. Returning home, he meets the old district circuit rider and promises to continue the circuit rider's work when he dies. The brother escapes from prison and is converted by Buck, who falls in love with Hope.

Short western, in which a hotheaded prospector argues with his wife about her housekeeping skills. She decides to leave him, and travels with a passing prospector who offers to accompany her through the mountains. However, when they are attacked by Indians, they are rescued by her husband. Eventualy the husband is killed in a second attack.