Acting

Míla Beran

Born June 1, 1904

Died October 25, 1976 · aged 72

No biography available.

Known For

Man Called AmenMan Called Amen · 1972
Man Called Amen
3.51972
MovieWestern
A very unlikely trio join forces in order to rob a bank: an ex-bandit called Smith, now a cheerful reverend, a nomadic artist and a pickpocket. Their plan is successful, however, and the three make off with the money from the bank's vaults, only to find themselves robbed of their newly-acquired wealth by a young schoolmistress.
Rose Tinted DreamsRose Tinted Dreams · 1977
Rose Tinted Dreams
6.41977
MovieRomanceComedy
Jakub, a dreamer and budding magician, juggles between parcels and services rendered to the villagers. His eyes cross that of the beautiful gypsy Jolanka. Together, they will try to live a first and big love, despite the pressure of their respective communities.
JánošíkJánošík · 1963
Jánošík
7.81963
MovieHistoryDrama
This film is one of the most popular pictures of Slovak cinema and relates the story about the legendary folk hero and brigand Juro Jánošík [1688-1713] and the social situation in Slovakia of the late 17th and early 18th centuries. The first part talks about Jánošík's childhood, studies and return to his native village. In the second part Jánošík leaves for the hills, where he organizes his band of brigands and starts an anti-feudal resistance. The film concludes with Jánošík's execution.
Kapitán DabačKapitán Dabač · 1959
Kapitán Dabač
5.71959
MovieDramaWar
The drama of a young Slovak army officer who gradually realises the horrors of fascism during the fighting in Ukraine. On his return to Slovakia, he joins the SNP. However, he cannot overcome his loner attitude or his doubts about the meaning of partisan activity.
See You in Hell, FriendsSee You in Hell, Friends · 1970
See You in Hell, Friends
5.91970
MovieDrama
As a car full of an assortment of characters rolls down an embankment and bursts into flames, the old driver says "See You in Hell, Friends." The relations between the characters are shown in flashbacks. The pretty Rita and her fiancee Petras meet the old colonel, and come to live in his farmhouse. Rita marries the colonel as well as her fiancee, and has a daughter Christine. The colonel's supposed father shows up, and also makes amorous advances on Rita. They all live blissfully together until two holy women with axes arrive. The women start chopping down trees to build an ark. Rita starts having nightmares and Christine is crucified.
Birds, Orphans and FoolsBirds, Orphans and Fools · 1969
Birds, Orphans and Fools
7.11969
MovieDramaFantasy
In the aftermath of war, two men and a woman begin acting more like children than adults, leading to tragedy.
Field LiliesField Lilies · 1973
Field Lilies
8.11973
MovieDramaComedy
Two repatriated soldiers search for stability and love when they return home after the First World War.
Wolves' LairsWolves' Lairs · 1948
Wolves' Lairs
6.61948
MovieDramaWar
This drama from the times of Slovak National Uprising is situated in a small Slovak village. It is the tragical story of a widow and her four sons who fight alongside the partisans against the German occupants.

Filmography

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Lazy sa pohlyLazy sa pohly · 1952
Lazy sa pohly
6.51952
MovieDrama
The life on the poor Slovak hills, the lazy hills, where agriculture is at a primitive stage and where the shelves give a small harvest. Meanwhile, socialist industrialization is reaching an amazing boom in the valleys. Therefore, it is necessary to solve the problem of small farmers on poor farms and the lack of labor in ever-growing industrial enterprises. The film, based on the fate of Matěj Rendek, who returns to Slovakia after 18 years from America, and on the fate of his family, who have toiled for years on poor fields and slaved for a rich farmer, shows how this problem must be solved: an agricultural cooperative is established on the lazy hills, which, with the help of machines, can handle agricultural work better and with a significantly smaller number of laborers, and most of the lazy villagers leave to work at a large sawmill.

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