Giannis Vogiatzis

An arrogant lieutenant of the Royal Hellenic Navy who finds out that his ex-lover has deeper feelings for one of his colleagues, wants to take his revenge on him after a nearly fatal accident. Can he swallow his pride and accept the truth?

The strict and formal director Lila Vassiliou has under her orders all the staff of the technical office of which she takes over the management, but at the same time, she is looking to find ways of charm to conquer the lively sub-engineer Alekos Samiotakis.

One lie requires two to cover it up, and two require four. Even Kosmas cannot escape this inviolable rule, who, in order to regularly escape his marital obligations, has created a fictional representative for his business in Rhodes. When he needs to introduce this representative, his only solution is to turn to an old friend with questionable tastes, Lele, who shows up completely unexpectedly to ask for his help. The second lie will create tragicomic situations because the imaginary person also takes on flesh and blood, claiming his own rights, resulting in a chain of misunderstandings that, for Kosmas, is a dead end...

Members of the Baltatzis family recount the 1922 burning of Smyrna, Greece, including the assault on vibrant Greek and Armenian communities.

Cosmas (Kostas Hadjichristos) learns that his mother needs to be immediately subjected to surgery. He asks the help of a relative (Nikos Fermas) to cover the expenses. He finds it difficult to overcome them, as he tries to raise money to marry his eminent heart (Martha Vourtsi). His relative agrees to pay, but asks Kosma to marry the Spanish singer (Martha Karayiannis) of the cabaret she runs, so that she can stay legally in Greece. Marriage becomes a secular event and is publicized, creating in Kosmas many problems and misunderstandings with his fiancé. Ultimately, a series of happy times will cancel the fake marriage, mother's surgery, and leave Kosmas the money to marry and start married life with greater financial comfort.

Andreas, a blind shepherd, is the only man left in the village of Platanos, since all the others have left to seek work in Athens. The women of the village treat him as a sexual object, until a maid helps him regain his sight and escape the exploitation of the other women.