Tatyana Nazarova

Dragon is a bloody dictator, who kills every opponent. People live hopelessly, until Lancelot comes to save the beautiful Elsa. Lancelot can only win, if all people become free from fear, that is feeding the Dragon's power. Dragon's multiple personalities, ranging from a "dragon" to a "samurai" to a "Nazi", scare the hell out of all people, except Lancelot. Finally Dragon drops all his masks, to become the most dangerous of his incarnations - "himself". And the battle begins

Young agronomist Viktor Nozhov makes an extraordinary decision - he leaves a successful state farm and becomes the chairman of a backward collective farm in his native village...

The actions of this mystery movie takes both in the past (in medieval times, as the scientists' hallucinations) and in the days of Perestroika.

Natalia Kuznetsova, a young, outwardly prosperous and successful woman artist, lives in the centre of Moscow. A plumber comes to fix a clogged sink in her bathroom, who turns out to be a man from her distant past... The meeting evokes memories of her first love: in her youth she was friends with Igor Turbin, who was from a large family, and although he had abilities and talent, he did not go to university, but went to work for the sake of his two younger brothers. She married Makarkin, a carefree and successful classmate. She, the daughter of the creative intelligentsia, was self-assured a place in the art academy and a secure career and future, and the husband should have been appropriate. But happiness did not turn out. Years later she realised that she had betrayed her love and married a complete stranger....

During the twenty years school reunion classmates suddenly learn that one of them - Nadezhda Kruglova - is a proud mother of ten children.

The thirties, the heyday of Soviet film production. The story of the famed couple's glory — a filmmaker and actress, behind the external well-being of which were hidden strange contradictory relationships and a sense of fear that they carried through their whole lives. The prologue to this story is the 85th anniversary of Lidiya Polyakova, the formerly brightest star in Soviet cinema, who played the main role in all the films of her own husband, director Konstantin Dalmatov. Now in the courtyard there are other times, Dalmatov’s movies are called ideological agitation, and the director himself and his wife are hiding from the world in the country, trying not to let anyone in.

Zhenya Prokhorov, a pupil of an orphanage, draws the attention of the director of the capital's choir school. The professor strongly advises Zhenya to study. Having become a soloist in the boys' choir, Zhenya does not refuse from "left" concerts organized by the enterprising Victor Victorovich - and one day tears his voice. The young hero bears the first loss with dignity, and after graduating from the school enters the conservatory at the faculty of composition.

About an oil exploration geologists exploring the northern regions of the country.