Tibor Gazdag

A mythical “hen” rises from the factory canteen’s lake to gobble the golden egg that Marinka, the lunchroom maid, discovered in the ketchup—an egg that was supposed to launch an American-Hungarian joint venture but went missing amid corporate scheming and a police probe into a mysterious “spillage.”

1958. In the cell of the condemned, seven men await the signs of an approaching execution. All of them recall their pasts and envision their wish-dreams.

Jewish rebellers are fighting against subjection and supressors. Broken people are shouting for a leader. The crowd starts to follow a young man, who is speaking in the name of love. The man's name is: Jesus. His rapidly growing popularity fills the govenor and religious leaders with fear and scareness. Pursuit and the world's first show trial starts. The story rolling in modern setup and scenery tells the story of Jesus' life.

The investigation of the melon affair, to remain undisclosed for thirty years, is led by Major Piroska Szabó, the secret girlfriend of Mr. Kálmán, the boss, with a charge against the policemen Lajos Endúros and Richard Wagner. Sitting on the terrace of their favourite snack bar, the two policemen, along with Sergeant-Major Badár, take an oath not to testify against each other, and to mislead the authorities by giving false evidence.

A cross-section of the relationship between the two great figures of French symbolism, Arthur Rimbaud and Paul Verlaine.