Juraj Slezáček

Historical reconstruction of the events of the anti-fascist struggle in Slovakia in 1943 and 1944.

In Slovakia, they often and gladly honored those soldiers who refused to serve the fascist regime and stood against it. Lieutenant Kukorelli also rejected the tempting career of a pilot, instead helping the resistance fighters and later participating in the Slovak National Uprising.

Existentialist drama based on the play of the same name by the Slovak writer Ivan Bukovčan. The story of ten apparently randomly selected people placed in a beer hall of a small town during the Nazi occupation of Slovakia. Slowly, facts begin to emerge, characters are drawn, and the story begins to gather a dangerous pace.

In Slovakia, the sixteen year-old Terezka is discharged from her school with a letter to her mother. Along her surrealistic journey to find her mother, Terezka entwines reality and fantasy and meets a man that is hired to burn clothes; a woman buried on the ground; a young bride that is marrying the forty and something year-old widow of his brother to support her family as a tradition in their village; her younger brother that is intern in a special school; a decadent TV comedian and his wife; a powerful mobster in the kitchen of a restaurant; one lover of her mother in her former address; and finally her promiscuous mother that advises her to travel through the world.

The drama of a man driven to crime by the mechanism of violence in an American prison. It is an indictment of American justice and the barbarically cruel methods of prison staff. Based on Jack London's novel "The Star Rover".

The dramatic story captures the hard and dangerous life of the partisan group "Čapajev" led by Ľudovít Kukorelli during World War II. It retrospectively presents the course of the Slovak National Uprising in eastern Slovakia.

A television production of the musical by Ernest Bryll and Katarzyna Gartnerová with a Jánošík theme. This play, staged by director Karol Zachar and choreographer Štefan Nosáľ, was an extraordinary success at the Slovak National Theatre.

A story in which the author mocks the Slovak petty bourgeoisie and denounces the denationalization of the gentry in the nineteenth century. Some problems such as patronage, bribery, and imitation of foreign models sound surprisingly simultaneous.