Miluše Šplechtová

The film is a metaphor for the Cold War. It depicts two neighbouring nations: peace loving Fortuna and the not so peaceful land of the Steel City.

The year is 1946 and the story takes us to a great bar among the characters of Prague's gallery. A professional conman, commonly known as "The Engineer", makes a bet with pickpocket Franz that he will sell Karlštejn Castle to a rich American who is currently in Prague...

A family saga taking place mostly in a small Slovak village over a period of thirty years (1887–1917). The first part captures the life of Martin Pichandu in the development of his craft, masonry; in the second part, his son is center stage living in a period of socio-political crisis, which ultimately results in the first World War. After originally airing on Czechoslovakian television in 1983 as a four-part 226-minute mini-series, this production received a 163-minute theatrical release in 1984.

Two somewhat crazy friends Milan (Milan Lasica) and Julo (Július Satinský) resolve to have a peaceful holiday in an old guard house that Julo has bought from his uncle. But in the early hours of the very first morning they are woken up by the loud sound of a trumpet. It is the severe supervisor of a nearby recreation center forcing the children out of their beds and out to exercise drill. To protect themselves from the children, Milan and Julo put up signs saying "private property". The first to disturb their privacy is the supervisor's little granddaughter Miluska, who uses their shed as her gingerbread house. The children in the camp are disgruntled, the supervisor's program bores them, and so they make up all sorts of other things to do.

Two young returnees from the First World War face a difficult future because they cannot find work. One eventually finds a job as an electrician, the other breaks into the Social Democratic press, where he gets the chance to watch up close how the Social Democratic leadership deceives its members and enters the service of the ruling classes. And a newly-trained journalist solves the problem of whether he should also adapt to the corrupt environment...

A tale about a young girl whose grandfather has built a garden of horrors.

Mom didn't ask me anything. She just took granny in. Now she lays in the middle of my room. And I have to take care of her. All the time. Winner of the Cinéfondation student section of the Cannes IFF.

A love story of a couple of mature people of completely different characters, who lived and worked side by side for years only as colleagues, but whose accidental trip to Slovakia to attend the wedding of Hedin's sister brought them closer, probably for the rest of their lives...