Hikmet Karagöz

Tas (Rock) is a film that presents a cross-section of the life of a family living a hard life in the countryside. It is a touch of sadness in the life of people living in nature- even as a part of it. And that life is nothing more than the waiting of a woman and man who lost their son. After waiting for many years, the family tries to get rid of the uncertainty by believing that the wounded man they found at the door is Selim (Ahmet Varli), their son.

Nuri has a low salary job and can't convince his wife to live with it, so the wife (her name Nuriye) tries to go out and work with her brother at a disco and this makes Nuri become crazy.

She works as a factory worker alongside Şaban Ali. One day, they are fired for asking their boss for a raise. They search for work for a long time but cannot find any. Necla tells Şaban that it is easier for women to find work, and the couple make a bet. The next day, Necla starts working as a secretary. The roles at home change. Necla becomes the man of the house, and Şaban becomes the woman of the house. However, the couple is unhappy because of Necla's long working hours.

Yalçın and Bahadır are two close friends with contrasting personalities. However, Yalçın's unexpected death painfully separates the two friends. One day, Bahadır, who misses Yalçın's crazy antics, hears a knock on his door. He finds himself face to face with the ghost of his crazy friend Yalçın, whose death he mourns deeply! Moreover, he is not alone; he is accompanied by an Italian trapeze artist named Bernardo. Yalçın is stuck in limbo because he failed to keep a promise, and the only person who can help him fulfill that promise is his close friend Bahadır. Yalçın must fulfill his promise within three days, as this is the only way he can find peace. Meanwhile, Bahadır tries to help him but ends up getting into trouble. Additionally, his platonic love for Demet, whom he works with but can’t bring himself to confess his feelings to, adds another layer of complexity to his adventure.

The injustice that people suffer in the workplace and the weight of working conditions cause them to act.

Bünyamin is a character from new book of Hayal and one day he suddenly shows up in real life. Hayal tries to prove that he is not real.

Ejder specialized in gravedigging in Germany, where he went to work in order to build a new life. He earns his living through this profession. However, Ejder's life in Germany is shaken by the death of his father. Upon returning to his hometown of Dalaman Şerefler Village, Ejder encounters the million-dollar living spaces created by both locals and foreigners in the village and decides to use his expertise in funeral services to make money. Guided by the philosophy that "a lion is known by its lair," Ejder sets out to offer the deceased wealthy individuals a resting place under olive trees, symbolizing immortality, instead of the village cemetery. As Ejder begins designing personalized graves with the slogan, "Horizontal burial—something that will be with you even after death," his business starts to thrive. However, the traumatic story of Bektaş, who recently settled in the town, will deeply affect Ejder...

The film is based on 'Fikrimin Ince Gulu', a novel by Adalet Agaoglu, which depicts a first generation gurbetci/guest-worker returning home. It covers his land journey in short bursts from Germany to the Turkey's west border - and extensively from thereon to his village close to Ankara - capital of Turkey. He begins his journey purchasing a second hand yellow Mercedes - possibly his first car - using his meager savings working as a laborer. Offering deep insight into the mind of a manual laborer Bayram (Ilyas Salman) making his first trip back home, resorting to flashbacks in highlighting Bayram's motivation and experiences from his childhood right up to the events leading to his first departure from Turkey to Germany.