Paulo Gracindo

Eldorado, a fictitious country in America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins opposes two equally corrupt political candidates: a pseudopopulist and a conservative. In this context, Paulo is torn between the madness of the elite and the blind submission of the masses. But, in this complex tropical reality, nothing really is what it seems to be.

Marquinhos is in his early 20s and lives in Copacabana with his petits bourgeois parents and older brother. He doesn't have a job, he doesn't go to school, he just lives on the spur of the moment, watches TV, plays soccer on the beach by day and goes out with his mates by night. He meets Irene, a 40 year-old woman and they have a love affair that is going to change his life - for a while.

For three days at the Copacabana Palace in Rio de Janeiro, amorous cross-fertilizations are intertwined with petty tricks against the backdrop of the famous carnival festivities. Three (sympathetic) accomplices are beaten to a punch in the hotel vault; three charming stewardesses are looking for entertainment, but their three Carioca host, musicians Tom Jobim, Luiz Bonfá, and João Gilberto, are married; a man, separated from his wife, wants to catch her in the act of adultery.

Police investigator Galvão is pursuing two trails, one professional and one personal. While he looks for a serial killer, he also searches for his estranged daughter, Sandra, whom he kicked out of the house. Lives intersect when the serial killer, Toninho, befriends Sandra, now an exotic dancer and prostitute living and working in the seamy underside of late 1970s Rio.

Tarzan is summoned to Brazil by an old friend to stop an evil tribal cult from destroying native villages and enslaving the survivors. The Lord of the Jungle is accompanied on his quest by a pretty blonde doctor, a boy and a grizzled sea captain.

After his father's death, a prosperous banker, Fernando, takes over the bank with the support of his family and shareholders. But his actions lead to bankruptcy, and he faces the family's hardship. With his assets auctioned off, Fernando lives in a boarding house until he faces bankruptcy proceedings and is arrested.

João Ninguém is a humble composer who made the waltz "Sonhos Azuis" as a gift to his girlfriend on her birthday. To give it to her, he asked for help from a friend, but on the way, an accident happens and puts at risk not only the relationship, but also João's life and career.

Young congressman Miguel Horta represents a party that is directly opposed to the present government. He slyly switches parties in order to gain favor with those in power, seriously compromising his own ideals and ethics in the process.

After visiting a fortune teller, Zulmira is informed that a blonde woman will threaten her peace. After talking to her husband Toninho, she suspects that her cousin Glorinha may be that blonde.

Three couples, two already living in Rio; and the third, with 'the one who hates carnival', coming to visit an aunt. One of the women bets that all husbands are unfaithful. They send invitations to their husbands to the carnival ball. They find a pretext to be able to attend. They, in turn, go in disguise, just like the maid. Hence the confusion at the ball, each one dating the other's wife.

Middle-class family reform their apartment, and the noise, the contact with the workers and strange occurrences turn what was supposed to be a trivial matter into a trip to hell.

The tensions experienced by three different people during the military dictatorship in Brazil: a politician, a revolutionary and a common citizen.

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!

A common robber is turned into a killer when he discovers that his sister was sexually assaulted by a policeman. After his act of vengeance, the police force begins a man hunt which corners the man into the building of a district attorney of whom he takes hostage.

An unlucky woman checks in a hotel pretending to be a French baroness so she can have 24 hours of dream before comitting suicide.

Badly advised by a high-class friend (who covets her husband) and by her scatterbrained father (always preoccupied with making cocktails), singer Noêmia forces her husband to abandon suburban life for the noisy 'big life' of Copacabana.

The story of a civil servant who lives with his elderly mother. Falling in love with a corrupt politician's young and rich daughter, he abandons himself to crazy and violent situations.

A middle-aged man builds a summer house in Cabo Frio, Rio de Janeiro. Married to a beautiful woman, father of two and with a successful career, the house is a symbol of his personal achievements. But as the wind, the salt and the sand threaten to invade the breaches of the house, their marriage begins to crumble. And, like a bad omen, a mysterious murder takes place in the vicinity.

The paraplegic Bóris stays at home with the beautiful young woman Cacau, while his wife Ivette goes to the movie theater. When Cadú, the boyfriend of Cacau, unexpectedly arrives in the apartment, a night of sex, sadism and violence happens. When Ivette returns, the fantasies of a sick mind are disclosed in a surprising end.

Os Trapalhões was a Brazilian comedy group and also a Brazilian television series created by Wilton Franco. Its members were Dedé Santana, Zacarias, Mussum and their leader Didi Mocó, that was played by Renato Aragão. The name Trapalhões is derived from the Portuguese verb atrapalhar, which means the opposite of helping, to do something the wrong way or to Those that confuse. The name is translated "Tramps" in English DVD subtitles. It was aired by Rede Globo from 1977 to 1999. On March 18, 1990, Zacarias died due to respiratory failure, but the group and the series didn't come to an end until July 29, 1994, when Mussum died due to an unsuccessful heart transplant.

In the tiny poor town of Asa Branca, in the middle of Brazilian Northeast, Roque Santeiro is worshiped as a saint. He was supposedly killed by a bandit, 18 years ago, trying to save the local church. After his disappearance, local leaderships such as landowner Sinhozinho Malta and mayor Florindo, took profit on that to control the humble population. They even make up a widow, Porcina, who should have married Roque secretly before his death. What they don't expect is that Roque is alive, and he's back to, allegedly, "save his people". Now Malta, Florindo, Porcina, and others must hold him down and explain the "truth" to their commoners, in a desperate attempt to save their own bottoms. Meanwhile, mysterious facts surround Asa Branca, such as a Werewolf, a film crew who are trying to shoot a movie about Roque's story, and violent murderers.

Twin sisters with contrasting personalities, Ruth and Raquel, rival in the fictional Pontal D'Areia, on the coast of Rio de Janeiro.

After making a Faustian bargain with a vampire for fame, a regretful young singer must find a sacred, lost artifact that might revert the curse.

Maria do Carmo becomes wealthy through her father's business dealings and becomes a successful businesswoman, but she retains the habits of her humble past.

The routine of the quiet town of Rio Belo changes with the arrival of Carina, a traveling actress determined to discover who her father is. At the same time, a mysterious crime involving the powerful Donana shakes the town.

Jocasta, an 18-year-old sociology student and daughter of communist activist Túlio Silveira, is actively involved in the country's political landscape. She is in love with Laio—her polar opposite—a disengaged, esoteric young man who lives off his wealthy father's allowance. A mystic, Laio makes no move without consulting his guru and friend Argemiro, whom he turns to upon learning of Jocasta's pregnancy. The cowrie shell reading reveals that his son is destined to kill him and enter into a romantic relationship with his mother. Terrified, Laio disappears with the child immediately after birth, aided by Argemiro—who loves Laio and loathes Jocasta. Twenty-five years later, Jocasta is a successful yet restless woman searching for her missing son. She is estranged from Laio, who has spent recent years expanding his father's fortune through involvement in underground gambling. On a highway, he encounters Oedipus, unaware that the young man is his son.

After his grandfather's death, André Cajarana goes to Rio de Janeiro to understand the death of his father—whom he had always believed to be a hero—and to try to prove his innocence.

The cunning Senator Petrônio Paranhos gives an interview to the beautiful journalist Magali Santanna, who is interested only in his affair with Arlete—an ambitious young woman intent on conceiving the older man's child via in vitro fertilization. To land this scoop, Magali agreed to interview the politician in a motel room, a condition he had insisted upon. However, Paranhos suffers a sudden collapse and dies during the interview. Detective Aristênio Catanduva, who had been keeping the senator under surveillance, investigates the case. Known by the codename "Araponga," he is a bumbling figure working for the Federal Police following his long service to the military regime.

The story takes place in a mansion in the Jardim América neighborhood of São Paulo. The lonely Rodrigo, a wealthy man from Rio Grande do Sul, lives with seven ambitious women who plan to swindle him out of his fortune: the flight attendants Regina and Cláudia, the showgirl Ciça, Madalena, Dulce, Dinorah, and the manicurist Suzete.

O Bem-Amado is a Brazilian telenovela that first aired on Rede Globo in 1973. It is based on a play by Dias Gomes called Odorico, o Bem-Amado ou Os Mistérios do Amor e da Morte, written in 1962. It was the first Brazilian color telenovela. It was shot in Rio de Janeiro. Broadcast by Rede Globo between January 22 and October 3, 1973.

The series tells the story of a criminal investigation into the murder of businessman Paulo Gomes de Aguiar at the beginning of August. In the midst of the Vargas government crisis, the murder case is taken by police commissioner Alberto Mattos, an honest and incorruptible man who is not well regarded by his co-workers, as the place is totally turned over to corruption.