Diego Guebel

Amid the sweltering summer heat in northern Argentina, two middle-class families retreat to a crumbling country estate and a modest townhouse, where strained relationships, simmering tensions, and the presence of children and servants quietly expose the fractures of family life. Between idle days, gossip, and unspoken desires, the boundaries of class, tradition, and faith are reflected in their everyday interactions.

Set in Argentina in 1965, the story follows the tumultuous relationship between two men who became lovers and ultimately ruthless bank robbers in a notoriously famous footnote in the annals of crime history. After a large-scale hold-up that turns bloody, the two men must flee. It is not long before the police are surrounding the building they are in and they must confront their demons to survive.

The documentary reveals the narcotic effect the '78 World Cup had on Argentine society, when Kempes' goals masked the horrors of the dictatorship. Recalling the attitudes of Adolf Hitler at the 1936 Berlin Olympics and Benito Mussolini during the 1934 World Cup in Italy, the film argues that the 1978 World Cup was "one of the most blatant political exploitations in the history of sport." Through previously unseen testimonies, survivors' accounts, and previously unreleased archival footage, the film portrays the contradictory duality between the euphoria of a people passionate about football and the simultaneous horror suffered by the victims of a bloody dictatorship.

Custe o Que Custar is a Brazilian television comedy show, produced by Eyeworks and aired weekly by Rede Bandeirantes since March 17, 2008. It is presented by Marcelo Tas, and has in its team Marco Luque and Oscar Filho. The news reports are conducted by Felipe Andreoli, Monica Iozzi, Mauricio Meirelles, Ronald Rios and Dani Calabresa. The program covers weekly events from Politics, Arts and Sports, from a humorous and satirical viewpoint. It oftens uses metalanguage by satyrizing the very program on live transmissions, and introducing graphics and sound effects from the subjects. The format comes from Argentina, when it was originated under the name Caiga Quien Caiga, created in 1995 by Mario Pergolini