Adrián Fondari

María is eighteen years old, she lives with her mother in an old house in Buenos Aires in 1978, subletting rooms and giving classes to poor illiterate adults. Suddenly she is abducted by a military squad and finds herself accused of subversion and submitted to torture in the hideous underground of the Garage Olimpo, while her mother desperately tries to find her.

A father and daughter journey from Denmark to an unknown desert that exists in a realm beyond the confines of civilization.

A suicidal young singer named Reni is about to get kicked out of her band when she meets a male gigolo, Andres, at an ATM after he picks her pocket. They begin an affair, and she decides to become a hooker so she can spend more time with her newfound love.

It follows Mariano Guerra as he returns to Argentina to testify against soldiers who tortured him during the dictatorship, focusing not on revenge but on his inner struggle with guilt, trauma, and the lasting psychological impact of violence kept largely off-screen.

In the midst of an inclement summer, Tavo works as a pool in a country town in the Buenos Aires suburbs, forming a silent part of a landscape and a community that keeps him at bay for class reasons.

In the missionary jungle, Ismael Guzmán, a seasoned park ranger, patrols the reserve daily in search of poachers. Orlando Venneck is a beloved settler in the area and, like his ancestors, he is a hunter. Sara Voguel, a committed rural doctor, is married to Guzmán and used to be Venneck’s fiancee. Both venerate the mountain in their own way, but a jaguar appears and this generates a confrontation between them. Behind the tourist postcard of the park hides a world besieged by passions, conflicts of interest and fights. The spiral of violence will become inevitable and blood will flow.

After years of working on an 'estancia' in Patagonia, the Old Foreman is forced to retire and a younge'r man takes his place. The change is difficult and challenging for both men. Each one must survive the oncoming winter.