Noboru Andō

Ryo, a young former banker, gets beaten up over a debt from gambling. A yakuza boss saves him, and Ryo decides to train to become a yakuza under him.

After serving time, a defiant street thug is incensed to find his town overrun by two yakuza factions. He gathers his crew and takes them on.

Ando on the run, stopping in to service all the women in his life, with a bit of the old ultra-violence.

A self-destructive man becomes a powerful member of the yakuza but quickly loses his self-control. Based on the true story of Rikio Ishikawa.

The 11th and final film in the Gang series. Most of the films had different directors and cast, and were only connected by the title and Toei's marketing department. Unlike the early entries, which were jazzy capers, this final entry is a prototype jitsuroku yakuza film. Just back from the war, Noboru Ando leads a gang of war vets turned gangster in the US occupied streets of Tokyo. They get into a conflict with a Chinese gang as well as the military police. Tetsuro Tamba appears as a police chief trying to bring peace to the streets; 1st wave pinky violence star Masumi Tachibana is a girl grieving his dead gangster father.

Set in Shibuya in 1949, this is another film based on real life former yakuza boss Noboru Ando's memoirs.

Coming out of jail and hoping for a quiet life, Yokohama yakuza has to take the lead of his gang after the death of his boss. His small group is is taken in a crossfire between a big yakuza group from Osaka at war with the Tokyo alliance for the control of the city. He tries to keep to the old yakuza code but he is no match for the new thugs who live and fight without honor.

In the gaudy world of 1930s Shinjuku, a violent youth known as Bakudan Match tangles explosively with prostitutes, politicians and the police.

After the war, Noboru Ando, a former kamikaze soldier, returns to a devastated Tokyo. Enraged by the violence prevalent in society, he immerses himself in the yakuza world, believing that "violence must be met with violence." Gaining notoriety for his natural bravery and fighting skills, he becomes known as the "intellectual yakuza" and creates the Ando-gumi, a gang that controls the Shibuya district. Ando's first series of yakuza films is based on his autobiography. He labored at his first studio, Shochiku, to only minor success before leaving and going onto true stardom at Toei Studios. These films were awfully early in Ando’s career - a novice actor and former yakuza given immense notoriety by his newspaper-serialized bio upon his release from prison. 1 of 5 films.

In pre-war Japan, two members of a large yakuza syndicate instigate a turf war that embroils the highest echelons of Tokyo's underworld.

“Gunro no keifu” is known as “Tale of a Scarface.” It follows the life of Kumoro, a yakuza member, who recently is released from prison after serving 14 years for his Family. Upon his return he finds the various yakuza syndicates on the brink of war. Kumoro is, at first, removed from the dealings of the families by his Boss, but slowly he is drawn back into his old ways.

With a Kansai syndicate setting their sights on Tokyo, a former yakuza boss gets dragged back into a world of violence.

Two yakuza, one of whom frequently reflects on an uncomfortable past taking advantage of Korean women, meet a stowaway on Japanese soil from across the Genkai Sea.

The ninth and final film in the Contemporary Tales of Chivalry series.

In the roaring 1970s, a man who has left the world of the yakuza to become the owner of a sushi restaurant decides to rise up again when he sees his former family being overrun by a modern yakuza group from the Kansai region.

A former soldier is caught working the black market and sent to prison while his partner escapes and goes on to become a gangster, but their paths cross again as they both fall in love with the same woman.

Vice Admiral Takajiro Ohnishi could see that Japan's defeat in WWII was inevitable. He came to realize that the only way to force a negotiated solution was to convince the Americans that invading Japan would cause massive casualties on both sides. The cold logic of suicide attacks, where one man and one plane could kill hundreds, seemed the only solution. In one of the cruel ironies of fate, Ohnishi actually succeeded; he convinced the Americans that invading Japan would be too costly in lives. But what he could not foresee was that America had another way of ending the war.

Japan, 1946, just after the end of World War II. As the US occupation army patrols the dilapidated streets of Tokyo, a desperate and ambitious group of war veterans and gamblers struggle to take control of the Ginza district's underworld with the help of a deranged soldier.

A hobo exposes the misdeeds of a new yakuza.

Based on Kazuo Taoka's autobiography, this film follows a Kobe gangster as he builds the small Yamaguchi-gumi into Japan's largest criminal clan.

A yakuza gang gets driven out of Yokohama by a big gang from Tokyo. They relocate to Okinawa to violently start over.

Immigrant gangs terrorize a Japanese town with their threats, loud jazz, and tasteless fashion sense, and only the tough but suave Dr. Amamiya (Ando) can stop them, as long as he gets rid of his silly peace-loving ideals.

After the war, Kijima (Bunta Sugawara) returns to Tokyo where he meets Ôba (Noboru Andô), an Ex-Kamikaze pilot, and the two ruffians gather hooligans to join their group. In Ginza, the Togawa gang have taken over Sakurada's territory. After several fights Kijima and Ôba gain control of the territory by chasing out the notorious Togawa Group in the name of Sakurada. But Kijima is arrested for assaulting an American soldier. A few years pass. Kijima has served his prison term and the sears of war have been erased from Ginza. Ôba is now president of a company specializing in collection of bad debts, cheque frauds and everything that means money. People call their organization the “Private Police,” and Kijima begins to work for Ôba. Now the Takegami gang waits a chance to seize the Ginza territory.