Béla Fleck

Fronted by one of the most accomplished banjo players of his time, Bela Fleck and the Flecktones are captured live in concert on Live at the Quick. The versatile band performs just over a dozen songs including such radically different compositions as "Amazing Grace," "Big Country," "Hoedown," and the prelude from a Bach violin concerto.

Tells the story of four extraordinary nights (and days) showcasing the formidable talents and genre-bending collaborations of peerless tabla virtuoso/percussionist/composer Zakir Hussain, in concert with some of his favorite musicians. Filmed and recorded in March, 2013, during the historic inaugural season of The San Francisco Jazz Center, these sessions highlight the consummate virtuosity and improvisational genius of one of the world’s greatest musicians and the easy, personable charisma which have made Zakir an international celebrity. The presentation of the music is interwoven with insightful interviews, personal commentary and intimate glimpses of life, offstage and backstage, of the phenomenal artists who came together during the sessions.

Carter Beauford and Victor Wooten are two of the most electrifying performers around today...are a match made in heaven on this voyage through the making of two studio cuts. Their wildly eclectic music-making and virtuoso abilities are disected and serve as educational tools for all musicians. The video is an amazing glimpse into the minds of two performers of complicated and listenably enjoyable music. An inside look at Victor s Ying-Yang CD sessions, as two great songs are developed and recorded. Plus Vic and Carter isolate their parts for each tune.

Hunky Dory juxtaposes scenes of animal life with images of human existence, observing the quirky and unexpected ways in which we are similar. The meticulously hand-drawn animation is a visual smorgasbord, moving and morphing in perfect time to the banjo music of Béla Fleck and his bandmates in My Bluegrass Heart.

Tracking (1994) is a documentary about the band Phish and the recording of the album Hoist. It is directed by the band's bass player, Mike Gordon, who wrote, for the VHS packaging: While in the studio recording the album 'Hoister' (sic) I sported a video camera. Sometimes I pushed the record button. Others, the stop. Alas, I edited. Using machines small yet sweet, I assembled Tracking. This isn't about railroad tracks or stuffing things up the tender nostril. It's about 48 tracks of sound, adjacent on strips of plastic. Like mixing lilac petals, coriander, chunks of butter, and fennel into a soup. Tracking is the recording of different sounds, adjacent on strips of plastic. . . . Many of the musicians on the album, Alison Krauss, Béla Fleck, and actor Jonathan Frakes, are shown recording tracks that eventually wound up on the album. The documentary is approximately 25 minutes long and was produced by Cactus Films.

Eleven time Fiddler of the Year and even a Grammy nominee, but that's just part of the story. Though born with disabilities that left him blind and partially deaf, Michael Cleveland is considered by many to be the greatest fiddler of all time.