Merce Cunningham

Cunningham

The iconic Merce Cunningham and the last generation of his dance company is profiled in Alla Kovgan's 3D documentary, through recreations of his landmark works and archival footage of Cunningham, John Cage, Robert Rauschenberg, and more.

Ocean

John Cage’s original concept of Ocean, in 1991, was for a dance to be performed in a circular space, with the audience surrounding the dancers, and the musicians (112 of them) surrounding the audience. The last performance was in the Rainbow Quarry in Minnesota, September 2008, at which time the piece was filmed by Charles Atlas.

August Pace 1989-2019

Thirty years after the world premiere of legendary choreographer Merce Cunningham's August Pace, the original cast members gather in a New York City studio for the first time to teach their roles to a younger generation. Their reunion is a grand experiment in group transmission where the older dancers rediscover the work only to let it go and see it anew as observers.

Appalachian Spring

A multi-character dance drama. A newlywed pioneer couple, guided by a reverent Revivalist and the wise Pioneer Woman, joyously celebrate their life on the American frontier - dancing, courting, and sharing “Simple Gifts” - only to be shaken by the threat of war before finding solace and communal hope in a final hymn-like gathering.

Points in Space

A 1987 short film from acclaimed dance choreographer Merce Cunningham.

Merce by Merce by Paik Part One: Blue Studio: Five Segments 1975-1976

Blue Studio: Five Segments is a groundbreaking work of videodance by postmodern master Merce Cunningham and his then filmmaker-in-residence, Charles Atlas. In a series of short pieces choreographed and performed specifically for video space, Cunningham is multiplied, overlaid and transported from the studio to a series of unexpected landscapes. Cunningham's gestural dance is manipulated to the accompaniment of a disjunctive audio collage that includes the voices of John Cage and Jasper Johns.

John Cage

Experimental composer John Cage tours Europe with The Merce Cunningham Dance Company in 1966.

Merce by Merce by Paik

Merce by Merce by Paik is a two-part tribute to choreographer Merce Cunningham and artist Marcel Duchamp. The first section, “Blue Studio: Five Segments”, is a work of video-dance produced by Merce Cunningham and videomaker Charles Atlas. The second part, produced by Paik and Shigeko Kubota, further queries the relationship between everyday gestures and formal notions of dance.

Beach Birds for Camera

Cunningham said of his choreography for "Beach Birds", “It is all based on individual physical phrasing. The dancers don’t have to be exactly together. They can dance like a flock of birds, when they suddenly take off.” A work for eleven dancers, the rhythm for "Beach Birds" was much more fluid than other Cunningham dances, so that the sections could differ in length from performance to performance. John Cage composed the music, and painter Marsha Skinner provided the costumes and décor. The dancers were dressed identically in all white leotards and tights, with black gloves. Skinner’s backcloth was a white scrim on which the light varied in color and intensity, decided by a lighting plot that was devised using chance methods. While the timings did not relate to the dance structure, the gradual changes of light have been interpreted to imitate those that might occur from dawn to dusk on a beach.

Variations V

A multi-media event with choreographed dance, mobile decor, variable lighting, multiple film projection, and live-electronic music activated by the dancers' movements.

Assemblage

A feature length film from acclaimed dance choreographer Merce Cunningham.

Westbeth

“Westbeth” was Cunningham’s first video collaboration with Charles Atlas, and the first video project to be made at the Merce Cunningham Dance Studio on the eleventh floor of Westbeth.

Antic Meet

Performed like a series of vaudeville scenes that overlap, Antic Meet consists of ten playful and comedic numbers. The curtains opened with Cunningham moving among the other dancers as a clown-like figure "who falls in love with a society whose rules he doesn't know," and concludes much in the same way, as he attempts to keep up with the dancers, each with their own movements, as they dance diagonally across the stage. Cage provided the musical accompaniment, using a version of Concert for Piano and Orchestra, and Rauschenberg designed the costumes, which included fur coats and parachute dresses over black leotards.