Leontyne Price

This was one of the most emotional evenings in Met history—the night Leontyne Price bid farewell to opera. Aida is the role that inspired audiences around the world to acclaim her as the greatest Verdi soprano of her time. And this telecast shows why: the famous soaring phrases that seemed to never end, the shimmering top to her lustrous voice, undimmed by the years. But most of all, there is the ennobling heart and soul Price lavished on every performance—captured here forever. With James Levine conducting the Met orchestra, chorus, and ballet.

Derek Jarman's interpretation of the aria 'Depuis le jour' from the final act of Gustave Charpentier's opera Louise (1900) features Aimée Delamain as an aging opera singer taking her final bow and recalling a love affair from her youth. As the aria goes: 'Et je tremble délicieusement au souvenir charmant du premier jour d'amour! (And I tremble deliciously at the delightful memory of the first day of love!)' – Her reveries feature Tilda Swinton and Spencer Leigh wandering around the topiaries of Swinton's family garden and at various seaside locations. The film was made for Aria (1987), the portmanteau project of producer Don Boyd who invited ten directors to create short films set to operatic arias of their choice. The particular performance used in Depuis le jour is by esteemed African-American soprano Leontyne Price.

Featuring the opera star Leontyne Price, the concert baritone William Warfield, and the irrepressible jazz bandleader Cab Calloway, this virtually unknown short film documents the first stop on what would become a four-year US State Department–sponsored tour of the Everyman Opera Company's production of the Gershwin-Heyward opera Porgy and Bess.

In Concert at the Met (DVD) - Highlights Five of the Met's greatest stars - Price, Horne, Troyanos, Domingo, and Milnes - joined James Levine for a series of irresistible concert programs, originally telecast in the 1980s. Featuring works by composers ranging from Handel to Meyerbeer to Puccini and Verdi, these performances include some of opera's favorite moments, delivered by a stunning group of legendary artists. Plàcido Domingo, Tatiana Troyanos (February 28, 1982) Leontyne Price, Marilyn Horne (March 28, 1982) Plàcido Domingo, Sherrill Milnes (January 30, 1983)

Leonora plans to elope with Don Alvaro, but he accidentally shoots and kills her father, who curses them as he dies. The lovers go on the run, but get separated. Bent on revenge, Leonora's brother Don Carlo, hunts them down. Verdi painted an immense canvas with this dark but tuneful opera, vividly brought to life in John Dexter’s production, with sets by the great Eugene Berman. The legendary Leontyne Price is seen in one of her greatest roles, Leonora. Price’s soaring voice encompasses every nuance of Leonora’s emotion as she moves from joy through resignation to ultimate heartbreak. James Levine’s brilliant leading of the Met orchestra and chorus is a lesson in Verdi style. Giuseppe Giacomini is Alvaro, the man Leonora loves, and Leo Nucci is Don Carlo, the dark instrument of their Fate.