Alonso Echánove

Life unravels when famous radio talk-show host Carmen (Sylvia Pinal) discovers she has just months to live. To tie up the loose ends of her life, she hires a chauffeur to drive her around Mexico City and visit her old haunts. But he does far more than that; instead, he gives her life a much-needed spark and shows her the road to happiness. Alonso Echanove and Raul Araiza Jr. co-star.

Four interwoven stories about love and self-acceptance: An eleven year-old boy struggles to keep secret the attraction he feels towards his male cousin. Two former childhood friends reunite and start a relationship that gets complicated due to one of them’s fear of getting caught. A gay long lasting relationship is in jeopardy when a third man comes along. An old family man is obsessed with a young male prostitute and tries to raise the money to afford the experience.

A naïve rookie in the Mexican highway patrol must adapt in order to survive as he contends with widespread corruption, dangerous drug runners and the consequences of his often morally gray actions.

The film got its inspiration from a real life character that killed policemen in the streets. The film narrates just how this man was pushed to committing crime.

Claudio, a womanizer, contracts AIDS due to his promiscuous lifestyle, and, in the hospital, he meets Mauricio, a homosexual Evangelist who is also infected and will discover Jesus to Claudio.

Mexican feature film

After a long exile, Gabriela returns to her family’s land to care for her ailing father and make peace with her painful past. Upon her return, she is faced with Diego, the reason why she left, and the new owner of the land.

The film narrates the discovery of the last great Mayan city, which occurred during the spring of 1946. It is the story of Charles Frey, a smuggler of archaeological pieces who upon hearing some legends about the immense riches that the jungle regions of southeastern Mexico keep, decides to go looking for him. After several months and a point of giving up, Frey detects some archaeological evidence of the Mayan culture, so he continues his explorations until he finds the majestic city of Bonampak.

Between chargers, noise and improvisedly placed furniture, a couple experiences a violent marital crisis, ignoring that they are observed by many characters that will soon face them with their own demons. Inspired by a work by Vicente Leñero, Gabriel Retes orchestrates a portrait without concessions of the hell of the marriage institution and love chaos, made in video format in 1990 and completed by the filmmaker more than a decade later.

In a totalitarian future, in a nightmare metropolis, inhabited only by criminals and police, Erik Lonnrot, a gifted detective, investigates a series of strange murders and disappearances that seem to implicate a insane crime lord. (Re-released in 1996 as a feature film, 86 minutes.)

Virginia and Nacho, is a poor marriage, living precariously on their meager salaries, insufficient to support his child nine years of age. Until fortune smiles and Nacho wins a late model car. But sometimes it's better that luck will smile.

The film tells the story of the Boteros, a middle-class Mexican family struggling against poverty after their father's death. Ignacia (Egurrola) is the Boteros mother, a desperate woman who chooses to sacrifice the destiny of her three older children, in order to protect Gabriel (Laguardia) the youngest one. She believes Gabriel will climb the social structure and bring back the lost fortune to the family. But destiny has other plans for the Boteros and tragedy will overcome eventually. Based on the novel of Nobel Prize winner Naguib Mahfouz.

In 2033, Mexico City is a hot, mechanical and chaotic megacity ruled by the military and a tyrannical government. It is an oppressed society with its religious faith and liberty of expression stolen. Pablo, the main character, is a young finantial yuppie that gets shelter in drugs and alcohol. He leaves his privileged life in order to help the unprotected and destroy the system that controls the population.

Feature film located at the beginning of the 20th-century which tells the story of the town "La Esperanza", whose dying mining boom receives a fatal blow.

Two reformatory kids grow up and become movers in the drug trade.

Adapted by writer/director Fernando Sariñana from the stories by Juan Madrid, Ciudades Oscuras (Dark Cities) tells a story of interwoven lives in the seedy underbelly of Mexico City. The several different story lines concern hooker Lola (Dolores Heredia); her drug addict son Fede (Diego Luna); her friend Zeze (Zaide Silvia Gutierrez); Zeze's daughter Susana (Jimena Ayala); and junkie Vicente (Roberto Sosa). Also on the scene are two corrupt cops (Alejandro Tommasi and Jesus Ochoa) and one good cop (Odiseo Bichir), while Chicken (Hector Suarez) and Casimiro (Alonso Echanove) each tell their separate stories to the same bartender (Demian Bichir). ~ Andrea LeVasseur, Rovi

Marisol (Alejandra Herrera) is caught between her possessive and aggressive cousin, Mauro (Eduardo Mendizábal), and passionate but inert lover, Mundo (Noé Hernández). Violence is a constant presence in their rural Mexican town, with gangs and guerilla fighters a steady presence. When Mundo has to flee, their connection turns from physical to digital even when Marisol is held captive by her cousin. Their communication via text, voicemail, and video is sporadic and frustrating, but is nevertheless a source of comfort, and their longing remains intense despite the distance. When Mundo returns, the stakes for Marisol are even higher, and it's no longer a question of whether things will come to a head, but how and when. Might their desire and desperation ultimately play to her advantage?

Jacqueline (Bonilla) and Nicolas (Echanove) are so in love that they decide to get married "until death takes them apart". When love dies and infidelity takes its place, Jacqueline decides there's no time to fulfill the promise of their votes. She begins to plot her husband's murder, but destiny is committed to surprise her in many ways.

The Mexican painter Francisco Goitia, feeling his death approaching, manages to make a memory of his life: the reunion with his country and his people, his permanent search for identity as a man and as an artist and his struggle against the demons of the body and his subsequent religious conversion.

Set in Mexico City, Mentiras Piadosas is the doomed love story of Clara and Israel. She is a health inspector and he is an herb merchant, who is obsessed with the construction of an enormous model of the ancient city of Tenochtitlan. They both decide to leave their respective partners to live together, however, jealousy, blackmail and guilt will become unbreakable patterns destroying their tragic relationship

No one could ever imagine that one day La Chingada Vieja would fall in love. Because she is always alone, because no one has ever turn to see her, because everyone is always closing the door at her nose, because when they feel her coming they cross themselves, but most of all because no one could ever fall in love with death. But El Hombre sin nombre, has appeared in her life for good. Only the confusion of an avenging town and the desire of four men to arrive to heaven could change the plans of these two beings. Of whom the purist feelings alive have resurrected them.

A senior official of the Mexican political system decides to fake the capture and death of The Coyote, public enemy number one in Mexico, to make this happen, he cuts a deal with his family, who require a dead body to pose as a double. Topillero is responsible of executing the plan. But on this journey he is reunited with his wife and son, whom he abandoned years ago.

La Güera is the director of the "El Amanecer" rehabilitation center, where she is responsible for providing support to young people with drug addiction problems, following the "Twelve Steps" model. One day, La Güera's cousin asks her for help in admitting her young son Samuel to the center; La Güera goes to invite him to join the rehabilitation center. Samuel refuses and is taken there by force, which complicates his adjustment to the place. La Güera tries to encourage him and give him attention so that he can get used to his new surroundings. Everything seems to be going well when an armed group bursts in and takes several inmates, including Samuel. La Güera is forced to turn to one of her associates to get him back, revealing a dark secret.

The human and divine justice are exposed through five real life stories related to the legal processes of a prison. The cases presented are: "I want to stay in jail", "Blood between women", "The raped prostitute", "The kidnapped policeman", and "Euthanasia or murder?"

El extraño retorno de Diana Salazar is a 1988 Mexican telenovela starring Lucía Méndez and Jorge Martinez. It is an unusual example of a telenovela which addresses supernatural topics.

It tells the story of Carlota and Cordelia, the first a modest and withdrawn girl and the second, an ambitious and daring woman. What's similar about them is their appearance: they're identical, but they're not twin sisters. But fate will make doctor Álvaro cross their path.

Al filo de la muerte is a Mexican telenovela produced by Emilio Larrosa for Televisa and originally broadcast on Canal de las Estrellas from June 17, 1991, to February 21, 1992. Created by Fernanda Villeli and Marcia Yance, the telenovela stars Humberto Zurita and Gabriela Rivero. The story follows Tracy López, a young nurse living in Los Angeles whose life is turned upside down after she witnesses her boyfriend commit a murder. Placed in the Witness Protection Program under the new identity of Mariela Foret, she flees to Mexico City, where she begins working at a prestigious hospital. There she meets cardiologist Francisco Riquer, and despite their difficult first encounters, they fall in love while facing danger, revenge, and the lingering threat of Tracy's criminal past.

Canción de amor is a Mexican youth telenovela produced by Luis de Llano Macedo for Televisa and originally broadcast on Canal de las Estrellas from May 13 to September 13, 1996. It is an adaptation of the 1982 Argentine telenovela Los cien días de Ana, created by Osvaldo Dragún. The telenovela stars Eduardo Capetillo and Lorena Rojas. The story follows Ana Guzmán, a young woman whose life changes after she falls in love with Renzo, an aspiring rock singer, shortly after being diagnosed with leukemia. Determined to live every moment to the fullest, Ana supports Renzo's dreams while the couple faces love, illness, separation, and the emotional challenges that test the strength of their relationship.