Mieczysław Hryniewicz

Military doctor Kwiatkowski, serving in a barracks hospital on the Western Territories, is rewarded with a week’s leave after successfully operating on Colonel Kiziora of the UB. He and his friend steal a truck bound for Warsaw, where among the ruins of his former home he meets his prewar neighbor Krysia, instantly falls in love, and, after a brawl with a Russian officer at a dance in the surviving “Polonia” hotel, pretends to be a high-ranking UB colonel to save face.

Three guys and a beautiful girl. Their fate will combine the integration leaving the title that is out of control and become a true Recreational apocalypse.

Two young men from a town near Łódź attack and rob a taxi driver. Unsatisfied with the loot, they make their escape from the authorities across Poland.

The story of catholic saint Maximilian Kolbe (1894-1941), who volunteered to die in place of a stranger in the Nazi concentration camp of Auschwitz.

Warsaw, September 1944. On the eastern bank of the Vistula, a group of civilians live in a house cut off from the fighting across the river. Tadeusz, a young poet who has lost both legs, struggles with his helplessness as the Warsaw Uprising continues. His younger brother Witek dreams of crossing the river to join the fight, while Tadeusz grows closer to Katarzyna. As soldiers, refugees and resistance fighters pass through the house, its inhabitants confront the devastation of war and the uncertain future of a country caught between two worlds.

Igor is a Warsaw taxi driver who makes money by transporting drug deliveries for Butcher - a local gangster. Apart from his friend Darek, Igor has no friends. He is lonely, quiet and reserved. He makes friends with 10-year-old Julia, the daughter of Ewa, a dealer he knows, whom he sometimes takes to school. Children go missing in the area, and Igor begins to be observed by the investigating commissioner Zadra. Everything becomes more complicated when Igor is tasked with transporting two mysterious suitcases, and Ewa is found dead.

On the eve of the Day of the Dead, among mysterious old rituals of the Vilnius region, ghosts of the past and present start to appear.

A moral conflict between a young assistant and an associate professor arises during a university linguistics camp.

A descendant of a noble family takes the side of the proletariat, fighting against the mistreatment of factory owners and the oppresion from the Tsar during the 1905 revolution.

The film is based on true events. Officers locked in a POW camp make a desperate attempt to get out. A group of daredevils undertake to dig an underground tunnel through which they can escape. We learn about their moral dilemmas, solidarity and loyalty to their friends. This is especially emphasized in the last scenes of the film.

Piotrek, who works as a chauffeur for people doing shady business, takes his frustrations out on illegal kick boxing bouts. One day Sylwia appears in his life. Piotr is offered a duel that could change his future.

Poland in the mid-1970s. In a small town, the student theater is preparing its premiere.

A wealthy grandfather throws a party to celebrate his grandson's First Communion. Soon the family gathering takes unexpected turns.

The last days in the life of Edward Dembowski (1822-1846), the organizer of the Kraków Uprising in 1846. The informal leader of the uprising, determined to fight for the unification of Polish lands and the liberation of the peasants, negotiates with other politicians.

Two years after the war, during a train trip, Henryk (20) recollects the occupation period. He passes different train stations and recollects various situations from the past: his family life, working in a garage, guerrilla warfare, the fear that accompanied him every day. He’s looking at the travellers’ faces, including the ones who have survived the war.

Careerist Maciej gives a lift to a hitchhiker with opposite beliefs as they both head to their hometowns. In the meantime, the local community gets prepared for the annual Corpus Christi procession.

Laguna was once a great soccer player whose career was interrupted by an injury. He spent years climbing the ranks to become an international referee. He sees the prevailing arrangements, manipulations, and bribery around him. Now desperate, he decides to stage an extraordinary culmination of his career: he wants to create a so-called "miracle Sunday" by "printing" the final round of games - taking substantial bribes from the interested clubs and manipulating the matches so that the results align in the order he set up.

A former partisan now 38 years old remembers his childhood in the war.

A group of retirees, wanting to help a friend, plan to break into a bank.

The film depicts the momentous and tragic history of the Poznan uprising of 1956. The memory of the director, who was a nine-year-old boy at the time, is the only canvass of the script. The main characters of the black-and-white film are two boys aged ten and twelve. From their perspective, the viewer follows the development of events. From the depths of the gates, through the rails of fences and cluttered backyards, through the eyes of the children we watch the street riots. The film, without action in the literal sense of the word, was made using a reportage technique that perfectly captures the spontaneity of the Poznan uprising. Among other things, the author of the picture depicts the adventures of a young worker Zenek, who becomes the unwitting leader of the protest, and five professors, who by chance find themselves in the very center of events.

A film about the life and activities of the Polish revolutionary Ludwik Waryński. In his memoirs, Ludwik returns to his student years in St. Petersburg, to Warsaw, to Krakow, where he was arrested and put on trial. After the end of the process in Krakow, Waryński leaves for Geneva, where he meets with Russian revolutionaries. In 1881, he returned to his homeland and created the first party of workers in Poland...

In the life of Ula, a twenty-year-old very pretty girl, nothing good has happened so far. Poverty, her father an alcoholic abuser to his family, finally an illegitimate child, raised alone ...

Journalist Anna is trying to make a documentary about an opposition activist she met years ago.

Na Wspólnej is a Polish soap opera. It has been running since 2003 on the TVN channel as its flagship primetime weekday soap opera. It is loosely based on the German production Unter Uns and it follows the lives of the inhabitants of an apartment block in Wspólna Street, Warsaw. Episodes tend to last around 20 minutes. It is a Polish version of the Hungarian "Barátok közt". The series is shot almost entirely in Warsaw and produced by the Polish branch of Freemantle Media. On 9 September 2008 it celebrated its 1000th episode; "Na Wspólnej" was the fourth Polish television series ever to achieve such status. A special episode was broadcast in which characters from some other of TVN's most popular shows visited Wspólna Street.

The story of the residents of a tenement house on Złota Street in Warsaw from 1945 to 1980.

1957. Excessively high production standards imposed by the authorities result in the plan not being fulfilled, and the workers cannot imagine living normally without rewards and bonuses. A rebellion breaks out. Worker democracy wins – the working class elects a director from among its own ranks. He is an old locksmith with no managerial experience. Although he believes in the socialist spirit and has a communist past, he does not hold the position for long, as he makes promises too easily that he is unable to keep.

Marianek is an unlucky man and not successful in his affairs. At the same time, he is a dove-hearted man, sensitive to other people’s misfortunes and harm, willing to help, even at his own expense. He is always ready to solve the problems of others, although he is usually not very good at it. His favorite saying is “absolutely”.

"Zmiennicy" is a grotesque comedy of absurdity and reality that masterfully blends slapstick, satire, and surrealism to expose the absurdities of life under communist rule in the People's Republic of Poland (PRL). The story follows Jacek Żytkiewicz, a taxi driver in Warsaw, and his mysterious new shift partner, Katarzyna Piórecka, who disguises herself as a man to get the job. The series is a comedy of the grotesque, filled with exaggerated characters, nonsensical bureaucracy, and surreal plot twists. It mocks the inefficiencies and contradictions of PRL institutions—from corrupt officials and inept police to bizarre workplace dynamics and social hypocrisy. Underneath the absurdity lies a thriller-like subplot: a drug trafficking operation smuggling heroin from Thailand to West Germany. This storyline, featuring shady sports officials, a Thai student, and a crooked firefighter, adds a layer of intrigue reminiscent of American crime dramas.

The miniseries shows in a colorful way the acting environment of Poland in the interwar period of the 20th century from behind the scenes. The main character works as a show dancer in theaters and cabarets, experiencing both professional successes and humiliating failures and poverty.