Giorgos Kyritsis

Acting

Giorgos Kyritsis

Giorgos Kyritsis played in almost all the major works of the world theater repertoire (Sophocles, Aristophanes, Shakespeare, Ibsen, Pirandello, Pinter, Brecht, Gorky, ), participated in films in the cinema and starred in many television series. He collaborated in the theater with the greatest Greek and foreign directors and most important protagonists of the modern Greek theater. With Elena Akri…

Known For

Υπόθεση ΠολκΥπόθεση Πολκ · 1978
Υπόθεση Πολκ
1978
MovieHistory
Arpa CollaArpa Colla · 1982
Arpa Colla
6.51982
MovieComedy
"Arpa-colla" in Greek literally means "Grab and stick", a phrase used to show something that has been done quickly and therefore isn't good enough. This is what the 2 main heroes of the film are doing. The one is a director(Giorgos) and the other an author(Kostas) with communistic ideas, who has won a prize at a festival. They both want to make a movie for the cinema. But every idea they have never comes true, because every time they meet someone to whom they tell their idea, they change their mind, and they want to make a totally different movie, ideas varying from political cinema to Greek historical dramas and modern films with motorcycle gangs. Not a bad attempt for the Greek cinema of the early 80's, which starts to wake up from the hibernation of the 70's.
Living DangerouslyLiving Dangerously · 1987
Living Dangerously
6.81987
MovieComedy
On the morning of the World Cup final, Karamanos, an employee of the Greek Telecommunications Organization (TOE), connects his commander's personal computer to a devilishly complex and explosive device. He threatens to blow up the floor and the satellite dishes above if he is not allowed to appear on the national network 10 minutes before the football match to denounce all the wrongs that plague the lives of Greek citizens and make them victims of a partisan and corrupt state.
Bio-graphiaBio-graphia · 1975
Bio-graphia
7.01975
Movie
With a title that expresses the connection/disagreement of bios (βίος) = life, and graphi (γραφή) = writing, this film of Rentzis has as a subject “the passage from homo universalis to homo industrialis”. Based on a visual material provided by the collage book of the Basque Chumy Chúmez, the film forms, out of cultural deposits of the industrial era, a novative oneirographic discourse, through the audacious and unprecendeded claim of a combinatorial optimization of collage/montage techno-poetics. Viewing the body as historical ideotype ‘the sublime point of reference, a matrix and a refusal of all signs’, Rentzis, dissects the body of film, makes an inter-parody of historical utopias and certainties and moves between animation and expanded cinema in order to reflect on the broader social, political question of our social coexistence condition, the unity and rupture.
The AntisocialThe Antisocial · 1977
The Antisocial
7.01977
MovieDramaComedy
A provincial café owner, Mimis, abandons his village in Chalkidiki and comes to Athens in search of a better life. He pretends to be a tough guy, a know-it-all, and behaves like an “antisocial”. With the help of a friend of his from the army, Aristeidis, he tries to set up his own business. At the same time, he falls in love with a seamstress, Toula, who is the sister of Aristeidis’ wife. Then comes the wedding, the everyday obligations, and Mimis is forced, with great resentment, to work as a waiter to make ends meet. When he get fired, however, his relationship with Nitsa is put to the test.
Two Suns in the SkyTwo Suns in the Sky · 1991
Two Suns in the Sky
9.21991
MovieDramaAdventure
"4th century AD and a brilliant craftsman of Dionysus, Timothy, organizes a performance of Euripides' Bacchae, rousing the people against the emperor. Lazarus, the Cappadocian, is sent to suppress the rebellion and arrest the heretic. We are in the years of the total establishment of Christianity, in a climate full of sects, conspiracies, conflicts of power and personal ambitions, in the city of Antioch, which was the last cradle of the Greek education of the Gentiles."
Reverse courseReverse course · 1987
Reverse course
1987
MovieDramaRomance
As a coincidental event unites a publisher and a hospital manager, sinister revelations entangle the couple with the aspiration of an editor-in-chief. Will he unearth the truth? After all, almost everybody has a skeleton in the closet.
The HookThe Hook · 1976
The Hook
4.81976
MovieDramaCrime
An adulterous woman and her lover plot to murder her husband Kostas and make it look like a yachting accident. However, unknown to them, Kostas has hired a private detective to follow them and knows of their plans in advance. A deadly game of double-crossing begins and propels all three of them towards tragedy.

Filmography

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Arpa CollaArpa Colla · 1982
Arpa Colla
6.51982
MovieComedy
"Arpa-colla" in Greek literally means "Grab and stick", a phrase used to show something that has been done quickly and therefore isn't good enough. This is what the 2 main heroes of the film are doing. The one is a director(Giorgos) and the other an author(Kostas) with communistic ideas, who has won a prize at a festival. They both want to make a movie for the cinema. But every idea they have never comes true, because every time they meet someone to whom they tell their idea, they change their mind, and they want to make a totally different movie, ideas varying from political cinema to Greek historical dramas and modern films with motorcycle gangs. Not a bad attempt for the Greek cinema of the early 80's, which starts to wake up from the hibernation of the 70's.
Bio-graphiaBio-graphia · 1975
Bio-graphia
7.01975
Movie
With a title that expresses the connection/disagreement of bios (βίος) = life, and graphi (γραφή) = writing, this film of Rentzis has as a subject “the passage from homo universalis to homo industrialis”. Based on a visual material provided by the collage book of the Basque Chumy Chúmez, the film forms, out of cultural deposits of the industrial era, a novative oneirographic discourse, through the audacious and unprecendeded claim of a combinatorial optimization of collage/montage techno-poetics. Viewing the body as historical ideotype ‘the sublime point of reference, a matrix and a refusal of all signs’, Rentzis, dissects the body of film, makes an inter-parody of historical utopias and certainties and moves between animation and expanded cinema in order to reflect on the broader social, political question of our social coexistence condition, the unity and rupture.
Via & goiteiaVia & goiteia · 1989
Via & goiteia
9.01989
MovieDramaRomance
Thalia, young, beautiful, and ambitious, arrives from abroad, where she studied theater, to pursue a career as an actress in Greece. She becomes involved with a young writer, Nikitas, a romantic idealist who disagrees with his beloved's ambitions and plans. Thalia is hired as the leading actress in a major theater company, co-starring with the popular actor Tasos Stergiou, and at the same time takes part in a television production. Nikitas gets involved with some anarchist groups, wanting to gather information to write a book about their ideology. His involvement proves fatal, because one night he finds himself in a clash between anarchists, which results in casualties. The police pursue him while he goes into hiding. Meanwhile, Thalia is on the road to success, while her anxiety about Nikitas' fate reaches its peak. On the big day of the premiere, which she had dreamed of so much, Nikitas arrives at her house in a terrible state, injured...
LoxandraLoxandra · 1980
Loxandra
6.51980
SeriesDrama
Loxandra is a Greek mother and wife living the ordinary life of a well to-do Greek family in Constantinoupolis of the late 1800s-early 1900s, a world gone forever. Historical events intrude in the background -revolutions, palace coups, massacres, and the great upheavals of WW1 in which Greeks saw their wildest hopes fulfilled, then dashed: for a brief time Constantinoupolis itself was regained, then lost along with all Asia Minor. Through troubles great and small, Loxandra's simple optimism, belief in her Virgin Mary, and love of life carries her family past every difficulty - be it a sumptuous dinner for Easter or secretly giving away her savings to help persecuted Armenians. A representation of a time and place where all neighbors were friends, where they could cook in each other's kitchens or take shelter in each other's cellars.

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