Tony Wilson

The story of Joy Division’s lead singer Ian Curtis, from his schoolboy days in 1973 to his suicide on the eve of the band's first American tour in 1980.

Manchester, 1976. Tony Wilson is an ambitious but frustrated local TV news reporter looking for a way to make his mark. After witnessing a life-changing concert by a band known as the Sex Pistols, he persuades his station to televise one of their performances, and soon Manchester's punk groups are clamoring for him to manage them. Riding the wave of a musical revolution, Wilson and his friends create the legendary Factory Records label and The Hacienda club.

Steve Coogan, an arrogant actor with low self-esteem and a complicated love life, is playing the eponymous role in an adaptation of "The Life and Opinions of Tristram Shandy, Gentleman" being filmed at a stately home. He constantly spars with actor Rob Brydon, who is playing Uncle Toby and believes his role to be of equal importance to Coogan's.

Director Bill Keating built a programme around following Rory through a day of his short 1972 Irish tour. At the center of the programme is a recording of the concert Rory played in the Savoy Cinema in Limerick on May 11th 1972.

Recorded live at Shinjuku Koseinenkin Hall, Tokyo, May 2 1985.

Showing for the first time how it all came together and what made it so great, the film is all at once hugely enlightening, downright entertaining, and remains the only visual document of this momentous happening ever released.

This in-depth retrospective surveys the history and music of the Smiths via interviews with the band, expert commentary and insights from insiders, including producer Stephen Street. Performance footage and TV clips round out the program.

Amplification of article by Liz Naylor in the Manchester fanzine, 'City Fun', entitled 'No City Fun'. Music by Joy Division.

New Order filmed live in concert in Tokyo, May 2nd 1985

World in Action was Granada Television’s flagship ITV current affairs series, running from 7 Jan 1963 to 7 Dec 1998, and built a reputation for film-led investigative reporting and a forceful editorial stance. Its journalism produced major public and political repercussions—including investigations associated with miscarriages of justice such as the Birmingham Six—and it also served as a platform for landmark documentary projects, including the first broadcast of “Seven Up!” as part of the strand in 1964.