Simon Schama

In the most personal and unflinching film of his career, historian Simon Schama confronts the enormity of the Holocaust and the catastrophe experienced by its victims. In a journey that ends with his first visit to Auschwitz, Simon travels across the Continent to explore how the Holocaust was far more than a Nazi obsession that played out in gas chambers, but a European-wide crime of complicity. From bullets in the Lithuanian lands of his ancestors to bureaucracy in the Netherlands, he reveals how deep-rooted prejudice was weaponised to turn people against their Jewish neighbours. As a moving interview with a survivor reveals, the story of how ‘evil comes step by step’ remains powerfully relevant today.

Simon Schama presents a drama-documentary that charts the extraordinary journey of the American slaves who fought for the British side in the American War of Independence and were then led by a young Englishman to Africa. There, they struggled to establish a colony in Sierra Leone, where they could be free.

Simon Schama explains the style, theme and concept of Rembrandt's late masterpieces.

What are the secrets of our favourite TV shows? Famous names from both sides of the camera reflect on making some of the most popular and influential programs of all time.

Stretching from the Stone Age to the year 2000, Simon Schama's Complete History of Britain does not pretend to be a definitive chronicle of the turbulent events which buffeted and shaped the British Isles. What Schama does do, however, is tell the story in vivid and gripping narrative terms, free of the fustiness of traditional academe, personalising key historical events by examining the major characters at the centre of them. Not all historians would approve of the history depicted here as shaped principally by the actions of great men and women rather than by more abstract developments, but Schama's way of telling it is a good deal more enthralling as a result. Schama successfully gives lie to the idea that the history of Britain has been moderate and temperate, passing down the generations as stately as a galleon, taking on board sensible ideas but steering clear of sillier, revolutionary ones. Nonsense. Schama retells British history the way it was--as bloody, convulsive, precarious, hot-blooded and several times within an inch of haring off onto an entirely different course. Schama seems almost to delight in the goriness of history. Themes returned to repeatedly include the wars between the Scots and the Irish and the Catholic/Protestant conflicts--only the Irish question remains unresolved by the new millennium. As Britain becomes a constitutional monarchy, Schama talks less of Kings and Queens but of poets and idea-makers like Orwell. Still, with his pungent, direct manner and against an evocative visual and aural backdrop, Schama makes history seem as though it happened yesterday, the bloodstains not yet dry.

Historian Simon Schama recounts the story of eight moments of high drama in the making of eight artistic masterpieces.

The story of art from the dawn of human history to the present day—for the first time on a global scale. Inspired by Civilisation, Kenneth Clark’s acclaimed landmark 1969 series about Western art, this series broadens the canvas to reveal the role art and the creative imagination have played across multiple cultures and civilizations.

Simon Schama explores the life and times of William Shakespeare to shed a new and fascinating light on some of the greatest plays ever written. He asks the question: "What came first, Englishness, or Shakespeare's idea of it?" and produces a persuasive argument in favour of the latter.