Dorottya Udvaros

In the country reformatory school both the teacher and the children are trapped by the circumstances. From among the pupils excels Sanyi, who cannot accept the fact that his mother does not love him and he keeps on escaping after her. From among the teachers it is Mr. Csőrös who distinguishes himself by listening to the children, looking for those who escaped, Sanyi feels affection to him.

This satire on film depicts the micro-climate of a technical vocational school newly established at a housing estate. The construction vocational school holds a name-giving ceremony, thus calling the attention of its supervisory organ to itself. The school-master distributes as well as receives presents from the sponsoring factory, and the pupils sit for a written examination of unheard-of material. The results are devastating, which the despotic school-master attempts to conceal by a staged disciplinary procedure.

Contemporary genre-painting of a Hungarian "middle class" family of four. The scene is the villa apartment almost finished, where the tourist guide mother, father who also works for the second economy and the lonely big girl preparing for her maturity examination turn up alternatively. It is only the teen-ager boy who really "lives" in this place: instead of attending school he stays home all day and observes the life of the surrounding by a self-made periscope. Internal communication of the family is accomplished in writing, on the pin-up board in the kitchen.

A girl in her thirties who lost all her hope in finding love meets a black cat, who can talk, but only the girl can hear it.

A typist girl who is under the influence of nervous breakdown walks out to the street stark naked from the office she works in. A young physician goes by accidentally and tries to help her, spreading his coat over her nude body. From this moment his life changes completely.

At a gas station in the middle of nowhere, a young man arrives to meet his father he hasn't seen for 30 years. On the same day, a van with four prostitutes breaks down at the very same gas station, on the way to Switzerland. The three days they spend together in the station change their lives forever.

Set during the fading glory of the Austro-Hungarian empire, the film tells of the rise and fall of Alfred Redl, an ambitious young officer who proceeds up the ladder to become head of the Secret Police only to become ensnared in political deception.

After the death of her husband, a mother decides to fulfill his last wish and runs the marathon in relays with her daughters. A small problem is that none of them are physically and mentally prepared for running. Furthermore, the relatives and friends are also unexpectedly affected by the women's seemingly impossible challenge.

Set in a large apartment in Hungary during the death throes of communism, obedient Andor lives with his eccentric mother, Rebeka, a once-celebrated stage actress-turned-recluse. After years of coexisting in a love-hate relationship marked by routine and possible incest, Andor brings home Eszter, a beautiful girl his own age. Her advances awaken Andor's repressed desires, the depths of which prove shocking. Opera director Robert Alfoldi renders this bizarre story in a melodramatic style, and veteran Hungarian stage star Dorottya Udvaros rises to the occasion. If you can imagine the intersecting area on a Venn diagram that includes Taxidermia and Sunset Blvd., that's where Where Were You, My Son? was born. The original title, Nyugalom, which translates to Tranquility, is ironic to say the least. ...over the-top...memorable...thunderous...sex and violins (Variety).

Never miss a satire if you'd like to have a wider view of the 60's or 70's (and maybe the 80's) Eastern Europe. Both the regime and behavior of people are pilloried, with many-many hints that show deeper details of the correlation of the two. And the creators didn't miss to have some words about the West and it's part of this history. But don't sit down to see the film if you'd like to have a light funny evening movie, 'cause that will lash up your feelings alright. The director is that same Peter Bacso, who directed the legendary satire 'A tanu' (The witness) which deals with the same historical era, the same relations between politics and the people, just from a little different point of view.

The Hungarian Oh, Bloody Life reflects on the heavy emotional toll taken by the repressive Stalin regime. Dorotya Udvaros plays a young actress from a high-born family. The government bias against persons of wealth threatens to destroy her career before it begins. As a final blow, she is threatened with deportation. The exasperation inherent in the film's title is only the tip of the iceberg.

Via the New York Times: "The Hungarian director Gyula Gazdag has transposed the middle section of Balzac's "Lost Illusions" from Paris in the mid-19th century to the Budapest of 1968... it tells of Laszlo Sardi - Balzac's Lucien Chardon - and his efforts to launch his literary career amid the snobbery and sophistication of a big city."

A country theatre wants to stage the historical play of the opposition author, who is famous abroad but it is well known, that he is fatally ill. The ministry unexpectedly bans the premier. The author is not informed about the decision and he wants - before his death - the costume rehearsal of the play. The director and his actors set up a false rehearsal at the price of a long night's tedious job.

A new National Theatre is built, and the director hires a famous Danish director for the premiere performance. The actors rehearse, the tractor and the construction workers work on the almost finished building. Everything seems to be on track, including the train, unfortunately, on the siding of the bridge next to the theatre. It's a little too loud and it's echoing into the main hall, so rehearsals are squeezed into a room that isn't very big. Bridge cushions are coming, even though it's cold and a bit like Christmas, but most importantly, the art is happening and the lead actress is indeed a queen. She falls in love with her partner and destroys him at the end of the performance. The role takes shape, only sometimes it is eerily similar to the real life of the artists. Will they live to see the premiere?

Celebrated Swedish opera star Karin Anderson is slated to appear in an internationally-telecast production of Tannhauser. Ms. Anderson balks at the notion of working with obscure Hungarian conductor Zoltan Szanto. The much-anticipated production may never get off the ground, thanks to labor-management difficulties, intramural jealousies, and clashing egos. Amidst all this chaos, the mismatched Anderson and Szanto fall in love.

The heroes of this crime-comedy attempt to get hold of money by a funny trick. They start operating the new post-office of the housing estate a week before the official opening, pocketing the revenue themselves. The inhabitants of the estate do not understand the trick, and loads of money pour to the swindlers.

The general practitioner Balla and his wife abandoning her higher education begin their common life in the small mountain village in the hope of quick enrichment and return to the capital. Despite Éva and Emma, the two school mistresses longing for love and Demeter, the dove-keeper obsessed with a desire for flight life is boring in the country.

Dini goes to Sweden illegally and abandons his fiancée, Mari. After several months a young Finnish businessman called Pekka arrives in Budapest, carrying a letter and package from Dini. The sympathetic Pekka is judged by the friends of Mari to be suitable for the task of a nominal marriage, by which Mari could get out legally to Dini.

To celebrate Sleeping Beauty's awakening, the cruel stepmother organises a dress-ball in the Wonder Castle and invites the characters of all tales and their two fathers, the Grimm-brothers. The stepmother announces total peace, but in fact she is preparing for a coup d'état with a phoney prince, a phoney Sleeping Beauty, through intrigue and violence in order to change the tales.

Réb went to the United States about 20 years ago and in the eighties he returns to Budapest with his teenager daughter...

Bence - who is a member of his father’s petty crime organization – goes to his grandparents over the weekend. He is there to say goodbye to his demented grandfather and to provide some help to his grandmother, Magda with the old man’s caretaking. While he is with them Bence has to confront some unpleasant truth about the family’s collective past, and he also realizes the violence he casts on others follows him everywhere.

Timi (23) has just been transferred to the Oncology department. She is a meticulous nurse who follows the rules and tries to do her job to the best of her ability. She meets Julia (78), who is in a serious condition on the ward. Timi tries to do everything she can to help Julia, but she no longer wants help, she just wants to end her suffering. Timi, seeing Julia's suffering, is faced with the choice of following the right path or the right way.

Based on a true story, this film is a dramatization of the events that led to the destruction of one of the most famous trains in history, the Orient Express.

The amusing everyday life of a small, stereotypical Hungarian village focusing on a corrupt mayor, a bodybuilder priest, a hot bartender girl, a dumb police officer, and a womanizing football coach.

Terápia is HBO Europe’s Hungarian adaptation of the Israeli award-winning TV drama series BeTipul (In Treatment), part of a series of adaptations that also includes Romanian, Czech and Polish versions. It explores one of the defining features of modern society, therapy, as seen through the eyes of a psychiatrist whose professional and personal life is on the verge of collapse.