Ana Patricia Rojo

In 1965 Mexico City, Flavia, a wealthy yet lonely schoolgirl, befriends Veronica, a young orphan girl who has a fascination with witchcraft. Veronica convinces Flavia that she is a real witch and forces her to be her assistant. The children's games gradually become more serious and Veronica demands more from Flavia.

An unworldly and closed-minded American travels to a small village in exotic Chiapas, Mexico; at the behest of his estranged mother when his half-sister disappears during a local epidemic of kidnappings attributed to the legendary J-ok'el, the weeping woman, who drowned her own babies, centuries ago and whose spirit has returned to claim more children as her own.

Champion racehorse is kidnapped, ends up on a ranch in Durango, running dirt-road races at the county fair.

A teenage couple goes their separate ways. 25 years later they meat each other again, they both now have families and a whole life behind them, but as they spend more time together their teenage romance starts to resurface

Widow becomes professional singer to meet expenses. Love complications come along with the territory.

A house maid prepares a potion that switches her boss and his son's bodies.

Mexican feature film

Andrew and Laura are a young spanish couple. Laura is blind and Andrew try's to raise enough money for her eye surgery so she can see again.

After Argentina's military dictatorship collapses, infamous torturer Angel Vladimir Carvalo (Otto Sirgo) takes refuge in the vastness of Mexico, where he uses his victims' money to pull off business deals -- and ultimately becomes director of the National Registry of Vehicles. Helmed by Christian Gonzalez, this fascinating drama is based on the experiences of Richardo Miguel Cavallo, a real-life tormenter who was arrested in 2000.

Mistreated by the Narváez family, the poor and innocent Maricruz is humiliated, abandoned, and imprisoned, losing everything. Upon discovering her true origins, she transforms into a wealthy and powerful woman. Driven by grief and the loss of her father, she vows revenge against everyone who made her suffer.

Dramatization of real-life situations and stories that are related to popular sayings, by Don Tomas.

When Marichuy was born, her mother—believing she was on the verge of death—handed her over to a priest, who took her to an orphanage. At the age of fourteen, Marichuy ran away from the institution and began wandering from place to place, scraping together a living however she could. Years later, she was attacked by a drunkard; the incident left her harboring resentment toward men and plagued by harrowing nightmares.

Vivo Por Elena is a Mexican telenovela starring Victoria Ruffo and Saul Lisazo with the antagonic roles of Ana Patricia Rojo and Sebastian Ligarde. The telenovela aired on Univision in 1998. The theme song for the telenovela was Vivo Por Ella, sung by Andrea Bocelli with a duet by Marta Sanchez. The telenovela has been repeated several times on different channels since its original airing.

Dulce Desafío is a Mexican telenovela starring Adela Noriega and Eduardo Yáñez.

Esmeralda is a telenovela that was released by Televisa in 1997. It is a remake of a 1970 Venezuelan telenovela of that same name, and was itself remade in Brazil in 2004. Another version is Topacio from Venezuela in 1984. One of the most famous telenovela all the time.

The story of two lawyers specializing in family law, Ricardo and Alejandra, that despite coming from two disappointments and being in a world where it seems that love loses strength, before so much divorce, they still have faith in finding true love.

Dulce María is like her name, a sweet 5-year-old girl, full of joy and good feelings. With the death of his mother, his father, Luciano Larios, sinks into depression and pain, and decides to distance himself from everything and everyone. He admits Dulce María to the "Queen of America" ​​nuns' school and goes abroad, leaving her in the care of her brother Gabriel, who is a priest. The only visit the girl receives is from her beloved Aunt Estefanía, whom she affectionately calls "Aunt Wigs" because instead of showing her hair, she wears colored wigs that match her clothes.

A romance blossoms between a young country woman and the grandson of the late owner of a tequila company. The young man promises to return and marry his girlfriend once he finishes his studies abroad, unaware that she has become pregnant.

A brave, poor young girl is welcomed into a rich family and develops a romance with their misogynist youngest son, driving a woman already in love with him to go to great lengths to destroy their relationship.

Mujer de Madera is a Mexican telenovela produced by Televisa in 2004. One unusual feature of this telenovela is that the main character is played by different actresses before and after her stay in hospital due to a forest fire.

One real hour. An hour of suspense. An hour of life and death. After 60 minutes, nothing will be the same as before.

Luisa Fernanda Pérez, a beautiful, 18-year-old student, has two passions: mastering the violin and gardening, a skill she learned from her father, Pedro, the former groundskeeper of the wealthy Altamirano family’s estate. A chance encounter with destiny alters her life after she is injured in a car accident caused by Luis (her biological father), a playboy lawyer and falls for his stepson, Carlos, an attractive, young doctor treating her at the local hospital.

Al filo de la muerte is a Mexican telenovela produced by Emilio Larrosa for Televisa and originally broadcast on Canal de las Estrellas from June 17, 1991, to February 21, 1992. Created by Fernanda Villeli and Marcia Yance, the telenovela stars Humberto Zurita and Gabriela Rivero. The story follows Tracy López, a young nurse living in Los Angeles whose life is turned upside down after she witnesses her boyfriend commit a murder. Placed in the Witness Protection Program under the new identity of Mariela Foret, she flees to Mexico City, where she begins working at a prestigious hospital. There she meets cardiologist Francisco Riquer, and despite their difficult first encounters, they fall in love while facing danger, revenge, and the lingering threat of Tracy's criminal past.

María José is a Mexican telenovela produced by Juan Osorio for Televisa and originally broadcast on Canal de las Estrellas from February 13 to May 18, 1995. It is a remake of the 1982 telenovela Bianca Vidal, based on the original story by Inés Rodena and freely adapted by Gabriela Ortigoza. The story follows María José, a beautiful and humble young woman who works as a domestic servant while caring for her ailing foster father. She falls in love with Carlos Alberto Almazán, but their relationship is threatened by family secrets, social differences, and the schemes of Imperia, a woman determined to keep them apart. As hidden truths about María José's past come to light, she must fight for love, justice, and her rightful place in the Almazán family.

The story of Renata Flores del Angel, a young woman from a wealthy family who falls for Pablo Ramos, the foreman of her father's estate.

Rebeca is a 2003 Spanish-language telenovela produced by Venevisión International. The telenovela was written by Alberto Gómez and stars Mariana Seoane and Ricardo Álamo as the main protagonists with Gaby Espino, Pablo Martin and Elluz Peraza portraying the main antagonists.

An anthology series featuring women from different walks of life who are driven to violence and murder because of circumstances varying from mental illness and domestic violence to humiliation and manipulation.

El Noveno Mandamiento is a Mexican soap opera produced by Lucero Suárez in 2001. As of June 24th, 2013, Unimas is broadcasting 2 hour episodes of this soap opera.

Los Parientes Pobres is a telenovela made by Mexican TV network Televisa. It is a telenovela set in Mexico. This telenovela was broadcast in 1993.

Bendita Mentira is a Mexican telenovela produced by Jorge Lozano Soriano for Televisa and originally broadcast on Canal de las Estrellas from August 5 to December 6, 1996. It is based on the radio serial La madrastra, created by Inés Rodena, and was adapted for television by Celia Alonso and Andrea Ordóñez. The story follows Esperanza, a humble housekeeper who works for the wealthy de la Mora family. Unknown to everyone, Diego—the young man who despises her—is actually her biological son, having been raised to believe the de la Mora family are his true parents. As long-hidden secrets begin to surface, Esperanza must confront prejudice, betrayal, and painful truths while fighting to reunite her family and find happiness.