Nelson Pereira dos Santos

In 1594 Brazil, a frenchman becomes a prisoner of the Tupinambás. While waiting to be executed, the foreigner learns the habits of the indigenous people and joins a woman who tries to help him escape.

Half a century ago, Brazilian composer and musician Antonio Carlos "Tom" Jobim (1927-1994) introduced bossa nova to a worldwide audience with "The Girl from Ipanema." This relaxed, cool, sensuous music blended jazz and samba. After recording an album of songs by his friend Jobim, Frank Sinatra is reported to have said, "I haven't sung so quietly since I had laryngitis." Naturally, "The Girl from Ipanema" and Frank Sinatra are featured in this musical collage of countless seamlessly edited excerpts of concert footage that cover decades of events all over the world: from Rio de Janeiro to Lisbon, Paris, Copenhagen, Jerusalem, Tokyo, Montreal, New York and back to Rio.

Augusto Matraga is a violent agressive farmer who, after being betrayed by his wife and trapped by several enemies, is beaten up and left for dead, being rescued by a couple of humble small farmers who nurse him for a long time until he is well again. Influenced by the couple, Matraga starts a long penitent life while waiting for his hour and chance to payback, starting a fight between his violent nature, his hidden desire of vengeance and the mysticism and goodness which is also part of him.

A destitute family tries to escape the drought in the backlands of northeastern Brazil. Fabiano (Átila Iório), Sinhá Vitória (Maria Ribeiro), their two children and their dog Baleia wander aimlessly and almost hopelessly through the remote interior, surviving the forces of nature and the cruelty of men. An adaptation of the work by Graciliano Ramos.

In the 1930s, novelist and politician Graciliano Ramos is accused of being a communist sympathizer. He is then arrested and sent to the Ilha Grande prison, where he experiences the disturbing treatment reserved for common prisoners.

A star medical examiner is called to Brasília, the administrative capital of Brazil, to confirm the identity of a beautiful, young congressional aide's dead body. But his scientific rigor soon leads him to details of a multi-layered political scandal.

After a powerful outlaw dies, a reporter interviews his lover and gets three different stories about the legendary man.

The documentary depicts the everyday of illiterate rural workers in Northeast Brazil, living under extreme misery. Although incapable of writing, they are aware of their condition and qualified to proposing solutions they hope for to their problems.

Mid-1970s. When the military regime's "economic miracle" and the victory of the Brazilian football team on the World Cup serve as a distraction for the persecution of opposition leaders by the political police of the dictatorship. Under this context, Jofre Godoi da Fonseca, an alienated middle-class man, is mistaken for Sarmento, a political activist he met at an airport prior to his assassination. He is then arrested for being "subversive".

A short film commemorating the 400th anniversary of the city of Rio de Janeiro. The short film was sponsored by the Barsa Encyclopedia (launched in 1964) and the Jornal do Brasil newspaper. The text, narrated by Paulo Mendes Campos, was written by Machado de Assis himself.

An amalgamation of accents and life experiences from different parts of Brazil reunited on the city of Brasília.

It's Christmas Eve and an aunt and her nephew have to deal with their platonic relationship.

1943, World War II. The northeastern coast of Brazil is an strategic region for the Allies. Giancarlo, an Italian immigrant married to a Brazilian woman, lives nearby the Parnamirin Field, the largest military base built by the USA outside of their territory. In this new base, Brazilian recruits who speak English suddenly find themselves reaching privileged positions.

The film chronicles both the life and work of Brazilian author and engineer Euclides da Cunha and a failed attempt at directing his biopic in the 1980s and 1990s. Footage from the unfinished film is included alongside archive and documentary material.

The critical success in France of How Tasty Was My Little Frenchman made possible dos Santos’ delirious science-fiction vision of free love in a post-apocalyptic wilderness besieged by flesh hungry zombies contaminated by an unnamed nuclear attack. Who is Beta? follows two statuesque survivors drawn irresistibly together only to be entranced by the arrival and sudden disappearance of a third, the bewitching raven haired Beta. With its cartoon-like depiction of extreme violence and desire, Who is Beta? offers a heady Pop-infused companion to Hunger for Love. Yet beneath its giddy play of surfaces, dos Santos' underappreciated film gradually reveals a darkly ambiguous metaphoric dimension. -Harvard Film Archive

Five segments about the hardships faced by people living in slums on hills in Rio de Janeiro.

Documentary on the view, testimonies and times of Darcy Ribeiro, since military dictatorship.

The rise of real life country singers Milionário e José Rico from their humble beginnings until musical success.

A three-episode anthology film based on short stories by Brazilian writer Graciliano Ramos.

Jubiabá is a French-Brazilian film based on the homonymous novel by Jorge Amado. The film tells the story of the interracial love between the daughter of a rich Commander and Antonio Balduíno, a rascal, fighter and famous lover from Salvador.

A talented songwriter of sambas is forced to face the social injustices of the city around him.

Documentary about the history of Jornal do Brasil, founded on April 14, 1891. In 1965, the Jornal do Brasil marked its innovative and active position, as recorded in the documentary "A Seventv-Four- Year-Old Fellow" by the filmmaker Nelson Pereira dos Santos, and the story itself was in charge of confirming. In the following years, the newspaper would witness the most remarkable events of the second half of the twentieth century in Brazil and in the world. It would applaud the democratic struggles and independence of peoples, support social demonstrations against oppression and justice at all levels. Tirelessly, he did not hesitate to report the truth of the facts, regardless of the circumstances in which they presented themselves.

Narrated by Professor Edson Nery, a friend and biographer of the author, and featuring Vânia Terra, Gheuza Sena, Ellyne Peixoto, and Helena Menezes, this series of four documentaries offers an emotional exploration of Gilberto Freyre’s great body of work.