Lloyd Richards

Ken, a WWII GI, returns home after he's paralyzed in battle. Residing in the paraplegic ward of a veteran's hospital and embittered by his condition, he refuses to see his fiancée and sinks into a solitary world of hatred and hostility. Head physician, Dr. Brock cajoles the withdrawn Ken into the life of the ward, where fellow patients Norm, Leo and Angel begin to pull him out of his spiritual dilemma.

1930's Pittsburgh, a brother comes home to claim "my half of the piano", a family heirloom; but his sister is not wanting to part with it. This is a glimpse of the conditions for African-Americans as well as some of the attitudes and influences on their lives. But whether he is able to sell the piano so that he can get enough money to buy some property and "no longer have to work for someone else" involves the story (or lesson) that the piano has to show him.

British nurse Edith Cavell is stationed at a hospital in Brussels during World War I. When the son of a former patient escapes from a German prisoner-of-war camp, she helps him flee to Holland. Outraged at the number of soldiers detained in the camps, Edith, along with a group of sympathizers, devises a plan to help the prisoners escape. As the group works to free the soldiers, Edith must keep her activities secret from the Germans

Five defense workers on their way to the munitions factory tell their stories: a refugee from the French Resistance, a frustrated race car driver, a prison warden, a former Miss America, and an intellectual who dropped out of society and saw the country as a bum.

Two San Francisco detectives investigating a murder committed on one of the city's famous cable cars discover that the victim was the son of a shipping tycoon. The trail leads to a drug dealer, a shady physician and a nervous police captain

A violent escaped con and his gang kidnap the police detective and DA who put him behind bars.

Major events in the life of Robeson are recounted in this solo performance.

This 1977 drama by Phillip Hayes Dean, deals with the sad division between what a man hopes for and what he achieves. In the title role, Dick Anthony Williams portrays a naïve, ambitious, recklessly optimistic man who is not understood by those closest to him and who finds himself in difficulty because of his unrealistic hopes.

Much-married and once successful writer Henry T. Aythecliff, now heavily in debt, summons his three ex-wives to his mansion, planning to extort a sizable amount of money from each. When he is discovered dead, clues indicate that each of his four wives had motive and opportunity to murder him, and a young detective must sift through some ingeniously devised evidence.

After suffering a head injury during the London Blitz, theatre actor John Loder comes to believe himself to be the Brighton Strangler, the murderer he was playing onstage.

Upholsterer's assistant Irene O'Dare meets wealthy Don Marshall while she is measuring chairs for Mrs. Herman Vincent at her Long Island estate. Charmed by her, Don anonymously purchases Madame Lucy's, an exclusive Manhattan boutique, and instructs newly hired manager Mr. Smith to offer Irene a job as a model. She soon catches the eye of socialite Bob Vincent, whose mother is hosting a ball at the family mansion. To promote Madame Lucy's dress line, Mr. Smith arranges for his models to be invited to the ball.

A tale of greed, one-upmanship, family distrust, abuse, apathy, and lost love, set in the deep south at the turn of the twentieth century.

American Playhouse is an anthology television series periodically broadcast by Public Broadcasting Service in the United States.

Roots: The Next Generations is a television miniseries, introduced in 1979, continuing, from 1882 to the 1960s, the fictionalized story of the family of Alex Haley and their life in Henning, Lauderdale County, Tennessee, USA. This sequel to the 1977 miniseries is based on the last seven chapters of Haley's novel entitled Roots: The Saga of an American Family plus additional material by Haley. Roots: The Next Generations was produced with a budget of $16.6 million, nearly three times as large as that of the original.

Long-running anthology program sponsored by Hallmark Cards. Beginning in 1951 and continuing into 2019, the series received 80 Emmy Awards, 24 Christopher Awards, 11 Peabody Awards, 9 Golden Globes, and 4 Humanitas Prizes. Early seasons were a weekly live drama, eventually transitioning to videotaped and then filmed productions broadcast as occasional specials.