Kirk Browning

Puccini’s heartbreaking story of young love in the garrets of Belle Epoque Paris has attracted many famous singers through the years. But with James Levine at the helm and the starry duo of Luciano Pavarotti and Renata Scotto as Rodolfo and Mimi, every bit of emotion in the score pours across the footlights and seduces the audience. In this case, the audience was in the millions since this was the very first in the “Live from the Met” series of telecasts. The evocative production is by Fabrizio Melano, designed by Pier Luigi Pizzi.

Donald Moffat stars in Moliere's classic comedy about lovable scoundrel Tartuffe, who befriends the wealthy Orgon and then attempts to seduce both his new friend's wife and daughter in this TV presentation from the Broadway Theatre Archive. Tartuffe pretends to be a pious man whose faith convinces Orgon and his family to succumb to his influence, but he's undone when his womanizing ways make it clear that his piety is a charade.

The classic Disney animated feature is performed as a live stage show at the Radio City Music Hall.

This John Dexter production, designed by Desmond Heeley, was a parting gift to the great American soprano Beverly Sills, who bid farewell to the Met as Norina, the smart young widow at the center of Donizetti’s comedy. The sensational Alfredo Kraus sings her beloved Ernesto. Håkan Hagegård, in his Met debut role and season, is Dr. Malatesta, the man who helps the young couple trick the crusty old bachelor of the title (Gabriel Bacquier at his comical best) into a fake marriage. This being a Donizetti comedy, it all turns out perfectly well at the end—and getting there is pure operatic fun.

Tom Joad returns to his home after a jail sentence to find his family kicked out of their farm due to foreclosure. He catches up with them on his Uncle’s farm, and joins them the next day as they head for California and a new life... Hopefully. A stage presentation by The Steppenwolf Theater Company's production featuring the original Broadway cast.

High-spirited model Hazel decides that she should settle down in this stage play based on a Dorothy Parker short story. But her marriage to traveling salesman Herbie Morse fails to satisfy her due to his alcoholism and frequent absences. Dispirited and bored, Hazel turns to alcohol herself—and to other men—as her lively spirit sinks and her life begins a downward spiral.

From the elaborate Broadway revival of the 1932 Eva Le Gallienne/Florida Friebus production comes a whimsical retelling of the Lewis Carroll classic.

This telecast offers a rare opportunity to see the legendary Joan Sutherland in the role that first catapulted her to international stardom. She drove audiences wild by the way her opulent voice caressed the music’s long phrases and sprinted effortlessly through the fiendish runs, trills, embellishments and stratospheric high notes. One of the glories of the operatic world, her portrayal of Donizetti’s hapless heroine is a multifaceted and moving characterization. The incomparable tenor Alfredo Kraus is Edgardo, the man Lucia loves but cannot have. (Performance taped November 13, 1982. Broadcasted September 28, 1983.)