Joe Savino

Enraged at the slaughter of Murron, his new bride and childhood love, Scottish warrior William Wallace slays a platoon of the local English lord's soldiers. This leads the village to revolt and, eventually, the entire country to rise up against English rule.

Irish Republican Army member Fergus forms an unexpected bond with Jody, a kidnapped British soldier in his custody, despite the warnings of fellow IRA members Jude and Maguire. Jody makes Fergus promise he'll visit his girlfriend, Dil, in London, and when Fergus flees to the city, he seeks her out. Hounded by his former IRA colleagues, he finds himself increasingly drawn to the enigmatic, and surprising, Dil.

A struggling record store owner travels down south to Cork with his best friend in a bid to save his shop from closure.

Ireland's bloody 1916 Easter Uprising, the suffragette movement in England, a Zeppelin raid, and a meeting with a rising young British cabinet member named Winston Churchill become vivid vignettes in Indy's life. So too do his brief but impassioned romances with the sister of a clandestine Irish rebel, and with an English suffragette for whom the vote comes before love.

Alfie Byrne is a middle-aged bus conductor in Dublin in 1963. He would appear to live a life of quiet desperation: he's gay, but firmly closeted, and his sister is always trying to find him "the right girl". His passion is Oscar Wilde, his hobby is putting on amateur theatre productions in the local church hall. We follow him as he struggles with temptation, friendship, disapproval, and the conservative yet oddly lyrical world of Ireland in the early 1960s.

Comerford's first digital short which evolved into an installation, is an audacious blur of ugliness and beauty. Drawing on found footage from personal archives, it outlines an encounter between a man and a woman in a stolen car.

When a courier at the D-Day Courier Service mistakenly finds a pile of money in his regular delivery, he does some digging only to discover that the messenger company is a front for a drug ring. A reformed drug user himself, he sets out to crack the lethal ring.

A dissatisfied teen disappears from his small town, leaving friends to wonder about his whereabouts.

In this historical miniseries created for BBC Northern Ireland, four brothers struggle to survive during the Irish potato famine of the 1840s while facing persecution from an agent (Michael Kitchen) of their indifferent English landlord. Looking on in horror as their primary food source dwindles, the Phelan brothers (portrayed by real-life siblings Joe, Mark, Paul and Stephen McGann) are torn between nonviolent protest and bloody revolt.

In the fictional Yorkshire town of Wetherton, the unlikely duo of politically incorrect elephant-in-a-China-shop-copper DS Andrew Dalziel (pronounced Dee-ell) and his more sensitive and university educated sidekick DS, later DI, Peter Pascoe is always on hand to solve the classic murder mystery, while maintaining down-to-Earth wit and humour.

A young British priest adjusts to life in a rural Irish community where life revolves around the church and the local pub. Everyone knows everyone else's business, and everyone usually has an opinion on it. While characters come and go, the small-town qualities remain.

The Hanging Gale is a four-episode television serial which first aired on RTÉ One and BBC1 in 1995. The series was a British–Irish co-production, made by Little Bird Films for BBC Northern Ireland in association with Raidió Teilifís Éireann, with support from the Irish Film Board. The serial, set in 1846 at the beginning of Ireland's Great Famine, starred the four McGann brothers: Joe McGann, Paul McGann, Mark McGann and Stephen McGann, and was based on an original idea by Joe and Stephen McGann while researching their family's history. The title of the series comes from the term 'hanging gale', the name for a widespread practice in Ireland at the time, where a landlord would allow new tenants a six-month grace period on payment of their rent, with the expectation that the rent owed would be paid when the land's crops were harvested and sold.