Guy Maxtone-Graham

In 1998, Beavis and Butt-Head are sentenced to Space Camp by a “creative” judge. Their obsession with a docking simulator (huh huh) leads to a trip on the Space Shuttle, with predictably disastrous results. After going through a black hole, they re-emerge in our time, where they look for love, misuse iPhones, and are hunted by the Deep State. Spoiler: They don’t score.

'Tis the season to be cool, as Beavis and Butt-Head star in their own twisted version of two holiday classics. The ghosts of Christmas past, present, and future struggle to teach a Scrooge-like Beavis the true meaning of Christmas, while Charlie the angel comes down from heaven to show Butt-Head how much better life would be without him. Will Beavis and Butt-Head learn their lesson? Does a snowflake have a chance in hell?

After suffering a profound loss, travel journalist Anna sets out to Martinique on a work trip meant only to further deflect her untended grief. While profiling locals for the piece, she is met with unexpected openness that sparks an honest reflection of her own life. Blending the lines between documentary and narrative, A/way focuses on the accomplishments of the people Anna profiles in Martinique, which builds on Anna’s own journey in accompaniment, pushing her to examine her own path forward. Is this all there is, or is there another way?

Focuses on a group of toddlers, most prominently Tommy, Chuckie, Phil, Lil, and Angelica, and their day-to-day lives, usually involving common life experiences that become adventures in the babies' imaginations. Adults in the series are almost always unaware of what the children are up to; however, this only provides more room for the babies to explore and discover their surroundings.

Two dimwitted teenagers discuss TV, heavy-metal music, nachos, and trying to "score with chicks." When the duo aren't sitting on the couch, they try to pick up girls at the local convenience store, slack off at school, or wreak havoc while working at a burger joint.