John Morton

Twenty Twelve

A mock-documentary following the challenges - both personal and professional - faced by the team responsible for delivering the biggest show on Earth: the 2012 Olympics. From getting a busload of non-English speaking Brazilians from A to B, who to appoint to run the Cultural Olympiad and what to do when the much-vaunted wind turbines won't turn because there's no wind, it's all in a day's work for the men and women whose job it is to stage the greatest sporting event in the world.

W1A

The follow-up to 'Twenty Twelve' as Ian Fletcher takes up the position of 'Head of Values' at the BBC. His task is to clarify, define, or re-define the core purpose of the BBC across all its functions and to position it confidently for the future, in particular for Licence Fee Renegotiation and Charter Renewal in 2016 and 2017 respectively.

People Like Us

People Like Us was a British radio and TV comedy programme, a spoof on-location documentary written by John Morton, and starring Chris Langham as Roy Mallard, an inept interviewer. Originally a radio show for BBC Radio 4 in three series from 1995 to 1997, it was made into a television series for BBC Two that aired from September 1999 to June 2000.

Twenty Twenty Six

48 countries, three host nations - what can possibly go wrong? Former BBC head of values Ian Fletcher is saving the World Cup. So that's all good then. Starring Hugh Bonneville.

Broken News

Broken News is a comedy programme shown on BBC Two in autumn 2005 and in Australia on SBS-TV from the 17 July 2006. The show poked fun at the world of 24-hour rolling news channels. The title of the show is a play on the phrase "breaking news". The show jump cut between its various spoof TV channels, which covered both the central story and other stories that would be of interest to their audience. A large part of the comedy came from observations about the nature of news presentation rather than the stories themselves.

Ten Percent

A London talent agency’s employees must scramble to keep their star clients happy and their business afloat after the sudden death of their founder.

Kiss Me Kate

A look into the everyday life of a counsellor, Kate, who must not only manage her clients' problems, but must also help her neighbours and unsuccessful business partner, Douglas.

Twenty Twelve

A mock-documentary following the challenges - both personal and professional - faced by the team responsible for delivering the biggest show on Earth: the 2012 Olympics. From getting a busload of non-English speaking Brazilians from A to B, who to appoint to run the Cultural Olympiad and what to do when the much-vaunted wind turbines won't turn because there's no wind, it's all in a day's work for the men and women whose job it is to stage the greatest sporting event in the world.

W1A

The follow-up to 'Twenty Twelve' as Ian Fletcher takes up the position of 'Head of Values' at the BBC. His task is to clarify, define, or re-define the core purpose of the BBC across all its functions and to position it confidently for the future, in particular for Licence Fee Renegotiation and Charter Renewal in 2016 and 2017 respectively.

People Like Us

People Like Us was a British radio and TV comedy programme, a spoof on-location documentary written by John Morton, and starring Chris Langham as Roy Mallard, an inept interviewer. Originally a radio show for BBC Radio 4 in three series from 1995 to 1997, it was made into a television series for BBC Two that aired from September 1999 to June 2000.

Twenty Twenty Six

48 countries, three host nations - what can possibly go wrong? Former BBC head of values Ian Fletcher is saving the World Cup. So that's all good then. Starring Hugh Bonneville.

Broken News

Broken News is a comedy programme shown on BBC Two in autumn 2005 and in Australia on SBS-TV from the 17 July 2006. The show poked fun at the world of 24-hour rolling news channels. The title of the show is a play on the phrase "breaking news". The show jump cut between its various spoof TV channels, which covered both the central story and other stories that would be of interest to their audience. A large part of the comedy came from observations about the nature of news presentation rather than the stories themselves.

Ten Percent

A London talent agency’s employees must scramble to keep their star clients happy and their business afloat after the sudden death of their founder.

Kiss Me Kate

A look into the everyday life of a counsellor, Kate, who must not only manage her clients' problems, but must also help her neighbours and unsuccessful business partner, Douglas.