Leo Leyden

Albert Einstein helps a young man who's in love with Einstein's niece to catch her attention by pretending temporarily to be a great physicist.

Wealthy Sunny von Bülow lies brain-dead, husband Claus guilty of attempted murder; but he says he's innocent and hires Alan Dershowitz for his appeal.

In Toronto, 15-year-old aspirant writer Sarah Norton meets 60-year-old painter Ashley St. Clair in a cafeteria while hiding from her stalker boyfriend. Ashley hasn't painted for ten years. He agrees to read Sarah's poems. They start seeing each other at his studio and Sarah falls in love with him, but Ashley does not reciprocate her feelings.

An out-of-work Irish immigrant in Montreal remains hopeful that his luck is about to change but his disillusioned family grow tired of his constant lying, pigheadedness and instability.

A young archaeologist believes he is cursed by a mask that causes him to have weird nightmares and possibly to murder. Before committing suicide, he mails the mask to his psychiatrist, Dr. Barnes, who is soon plunged into the nightmare world of the mask.

The daughter of a leading politician tries to carve out a career in the world of international journalism.

Dottie, a clumsy little fairy with glasses, red curls and a yellow raincoat is training to become a good tooth fairy. One night, it's her turn to make a visit to the house of a little girl named Lori, who had begun to doubt the existence of fairies. Dottie accidentally wakes up Lori as she is searching under her pillow, and even though Lori is very happy to see her, Dottie knows she's broken one of the most important rules of the tooth-fairies. Lori, who also wears glasses and has freckles, invites Dottie to stay in her home for a few days...

Robert Ross (Brent Carver) lives a protected adolescence in a well-off Toronto suburb. Secretive and withdrawn, he shares his thoughts only with his sister Rowena (Anne-Marie MacDonald) who is mentally disabled. He feels compassion for his weak and conventional father. He avoids any confrontation with his mother (Martha Henry), a dominating woman whose despondency at having given birth to a handicapped child has turned to bitterness. Rowena occupies a central position in Robert's existence of daydreams and make-believe. When she dies, Robert clashes openly with his family, and decides to take himself in hand. It's 1914. He enrolls in the Canadian army, and, after training in Alberta and Montreal, he finds himself in England and France. The war becomes another way for him to resolve his conflicts, his dramas, his passions--his wars.